F Mary Kill (2024): Review and Summary
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
“The Fix” is a reminder that sci-fi productions don’t always need a major backer to look good and hold something compelling.
“The Brink Of” may have a few catchy indie pop songs, but the will they or won’t they at the heart of it may not win too many over.
In “Parachute,” we’re reminded how love and romance isn’t a cure but sometimes a drug to alleviate symptoms.
There’s more to Derek Pike’s slasher thriller “Model House” than meets the eye.
In the late 1980s, a non-binary person has just moved to Canada and while non-binary, they aren’t ace so crushes arise and sometimes makes things complicated.
Andrea Bang stars in “Float,” which puts a dry romance front and center over all the ways this could have been intriguing.
An isolated AI finds themselves luckily being in the company of two criminals who can potentially give them freedom, if they are foolish enough to let them out.
“The Pod Generation” explores what childbearing and rearing might be like in a future where women don’t have to get pregnant.
“Lord of Misrule” excels at setting the tone for a frightening time, but after a while, the shadows and masks can be tiresome.
In this Santa Claus horror film, you get blood, literal guts, and the type of scenes that aren’t noteworthy until they get particularly gruesome.
Thanks to cops wanting to get a local dealer by any means necessary, a young mother finds herself becoming an unwilling CI.
In a rather simple horror-esque movie, a young man finds himself hesitant to befriend a new girl, and it seems he should have followed his instincts.
Three women who spend nearly the entire movie in bikinis handle high-level drug deals in a film that straddles being corny and notably intriguing.
“Surprised By Oxford” pushes you to recognize it as a romance film, but without having the lead obsessed with the idea of finding love.
Connie Cocchia’s “When Time Got Louder” is a gentle and heartfelt coming-of-age movie and family drama.
While “Share?” may lack answers some people may crave from a film like this, it feels like a “Black Mirror” inspired movie that undoubtedly is enjoyable.
Michael Farris Smith and the Phillips Brothers’ “Rumble Through the Dark” makes some bold choices in storytelling, but they don’t quite pay off.
“Barber” has two competing lead storylines, between its lead character’s personal life and case, that conflict and don’t complement each other well.
“The List” is a simple, cute, though sometimes uninspiring romantic comedy.
Emile Hirsch may be out to save Israel in “The Engineer,” but he can’t save this movie from being a disappointing thriller.
“Susie Searches” struggles due to letting you in on the secret that the film is about.
“Corner Office” is a dark comedy starring John Hamm as a disgruntled employee, but you may be just as disgruntled after watching this movie.
“The Flood” isn’t as bad as one might think, but because of a dull story, it’s more boring than it should be.
“Surrounded” is a terrific and brutal showcase for Letitia Wright and Jamie Bell with gorgeous scenery in this Western.
“The Secret Kingdom” is a fantasy story for the family with unique visuals and character designs. Yet you’ll feel like you’ve seen this story before.
D.W. Medoff’s “Pollen” is a horror film that doesn’t frighten you with scares, but chills you with its authentic portrait of trauma.
“Robots” is a forgettable comedy that seems to yearn for when men got to be funny and women were meant to be seen and buzzkills.
“Double Life” should have gone through a double edit to make a memorable thriller.
The Tutor gives Garret Hedlund and Noah Schnapp a chance to play victim and avenger. While the film’s suspense and thrills can be underwhelming, the final twist is memorable.
A summary of how “Acidman” (2023) ended and whether a prequel or sequel is possible.
While a slow movie to start, as Maggie starts to be honest and Lloyd opens up, it becomes a beautiful father/ daughter story.
“Wildflower” brings us one of the most touching stories about families needing to learn to trust they did enough and their kin can make it on their own.
With thrills and actors who more than deserve your attention, “Unseen” is a horror/ thriller that will make you glad that it isn’t platform exclusive.
“Disquiet” gives “Angels of Death” vibes, as we watch a man try to escape a hospital with monsters who all want to kill him and some who may be friends or foes.
“Door Mouse” has cult classic workings that will make it a favorite amongst a niche group, but it may struggle to make a blip in a sea of video-on-demand releases.
“High Heat” delivers, mainly thanks to its notable kills, but certainly not its comedy.
“As Good As Dead” is yet another movie which makes you question why Michael Jai White isn’t a bigger action movie star?
In “Lullaby,” Jewish faith is used to develop this horror film in ways you have likely not seen before.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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