In this tag, you’ll find all the productions which were available on Netflix’s platform when they originally premiered.
After struggling to express herself, a young woman named Luculia seemingly breaks through and helps Violet become in touch with her feelings.
With the influx of some new characters, Violet Evergarden has definitely become the type of show worth your loyalty.
Katt Williams: Great America won’t make you think Katt Williams hasn’t missed a step since his height in 2008/2009, but his set will bring enough nostalgia to see you through till the end.
The End of the F***ing World is undoubtedly Netflix’s first big hit of the year, and one of the few which may not be overhyped.
Like many a violent and graphic anime, while Devilman Crybaby starts off strong, it loses steam quickly and avoids the more interesting avenues it could have taken.
While beautifully animated, some may find struggle to find meaningful substance behind Violet Evergarden’s awe-inspiring visuals.
It seemingly is the end of the line but don’t tell Alyssa that – no matter who you are.
How can a man abandon his daughter for 10 years? Well, we don’t necessarily get an outright answer but do get to observe Alyssa’s father Leslie and figure out for ourselves.
With a murder already behind them, what’s a stolen car and robbed store but child’s play?
The mystery which is how James’ mother died is addressed, as well as the police’s investigation continuing – leading them to James and Alyssa’s parents.
It’s the day after the events of the last episode, and it seemingly has changed James and Alyssa’s relationship for the worse.
With Alyssa making James feel things, he reaches a crossroad: Continue to explore what it is like to feel emotions again or kill the catalyst?
As Alyssa starts to push James for more intimacy, it seems he is slowly questioning not just how but if he can kill her.
And so Devilman Crybaby ends on a surprising high note. One which, strangely, may make you feel sorry for the last demon Akira faces.
If you had any sort of emotional investment in the characters, you might wanna grab a tissue.
Devilman Crybaby is trying to pull out everything but the kitchen sink to throw at us but, is it too little too late?
As Ryo’s plan gets put into action, the still unnamed demon league scrambles to handle the exposure.
As Devilman Crybaby finally has Silene meet Akira, we are reminded that with Akira’s body changing, he has certain urges.
We finally get to meet Akira’s parents but, unfortunately, the reunion is brief.
The psuedo-saint that is Miki is dragged into Akira’s mess and seemingly, he isn’t the only one which presents a threat to her life.
As we see Akira have a brand new body, that takes getting used to for everybody, we are introduced to the upper echelon of demons.
The End of the F***ing World will be the beginning of a love affair between you and the characters Alyssa and James.
Similar to Castlevania, Devilman Crybaby is brilliantly violent but unlike the former, this has a story which sells you episode 1.
In a way, The Bird Revelation, like Equanimity, isn’t really a comedy special. It is funnier than the latter but is definitely more about exploring ideas than telling jokes.
Dave Chappelle: Equanimity, isn’t so much a comedy special as Dave defending everything he has said and done when it comes to Trump and Trans people.
It seems Satoru didn’t go far enough in his last visit to the past, and he sees the consequences of that.
What Smith has brought to the action genre is mixed with Edgerton’s dramatic chops, making for a film which feels like a blockbuster oddly released online rather than in theaters.
Love, well puppy love, is in the air and it brings about a few tender moments. Yet, it is too soon to expect a happy ending.
You know one of the main things which makes live adaptations of anime hard-hitting? When you are forced to realize a person is going through the trauma than some animated character. Which is what makes the introduction of Kayo hit hard.
Black comes off a little all over the place at first, like a director’s cut of the pilot, but by the end of the premiere, it seems we’re on track.
For those who saw the animated version, I can’t say the first episode makes you want to dive back into the story again.
There comes a certain point where you wonder if this is a comedy special or people are paying to be this man’s silent therapist.
Spike Lee’s modernized She’s Gotta Have It finds the middle ground between shows like Insecure and the TV programming of Lee Daniels and Mara Brock Akil.
The famous Thanksgiving scene is revamped and it leaves Nola with but one real choice.
Gentrification takes center stage as Bianca just can’t deal with feeling like a trespasser despite the amount of money she is paying.
Jamie gets full on exposed and feels not just the wrath of Nola, but Cheryl and… Winny?
We dive deeper into the beginning of Nola’s relationships, particularly Greer and Jamie’s, and see why they’re so in love with her – beyond sex.
It’s time for Clo’s art showcase and it leads to one awkward moment after another for Nola. Also, Shemekka makes her debut on Win’s stage.
Jamie and, strangely, Ms. Raqueletta Moss take center stage and Ms. Moss becomes another example of a voice seldom heard.