It’s A Sin: Season 1 – Review/ Summary (with Spoilers)
It’s A Sin does deserve points for slightly altering the narrative regarding the AIDS pandemic’s early years, but eventually, it’ll feel like more of the same.
Productions in the historical tag focus on time periods in the past and it contains historical fiction, as well as factual, or based on facts, productions.
It’s A Sin does deserve points for slightly altering the narrative regarding the AIDS pandemic’s early years, but eventually, it’ll feel like more of the same.
Like nearly every well-crafted film about Black oppression in America, Judas and the Messiah will enrage you, tire you out, and make you hope J. Edgar Hoover and his enablers, rot in hell.
While the sometimes volatile intimacy between Ruth Negga and Tessa Thompson makes Passing interesting, you may not feel it confronts the subject matter as you want.
Street Gang: How We Got To Sesame Street is filled with nostalgia and fleshes out your childhood memories with what it took to make you smile and learn.
In It’s A Sin, we’re reminded what can matter more than the right school or job is finding your people — especially if you’re gay men in the 80s.
Redo of Healer is a revenge story that may make you think of The Rising of the Shield Hero, but this is far more graphic, violent, and Keyaru’s revenge is active.
Bridgerton on its surface can be breezy and a quick watch. However, if you choose to analyze it, it can be far deeper than a girl finding love in a newly diverse world.
Like Kemp Powers’ “Soul,” “One Night In Miami” leaves you searching for meaning in past actions and contemplating your path in life going forward.
Shondaland takes its second crack at doing a period piece by focusing on a drama with a Gossip Girl spin and a social season in which many young ladies vie for the best bachelors.
Ma Rainey’s Black Bottom gives you what you expect from Viola Davis, and in Chadwick Boseman’s final film, he makes it clear he could excel in a role of someone not already an icon.