Tammy Faye (2024) Musical Review
Focusing on the founding, rise and fall of PTL, Tammy Faye is more about the company than the woman who made it matter.
Productions in the historical tag focus on time periods in the past and it contains historical fiction, as well as factual, or based on facts, productions.
Focusing on the founding, rise and fall of PTL, Tammy Faye is more about the company than the woman who made it matter.
In the adaptation of Olaf Olafsson’s hit book, “Touch,” we witness a tear-inducing story of an old man trying to reunite with the woman who got away decades prior.
While you may think “Wildcat” is a biopic, more so, it is a series of short stories by Flannery O’Connor linked up and barely featuring the writer in a notable capacity.
Set in 1992, Chicago, specifically the – projects “We Grown Now,” is a coming-of-age film with few peers to compare it to quickly.
This remake focuses again on Damien’s origins, specifically what led to his birth.
In a comedy that evolves over time, a handful of wicked letters explores what it means to be a woman in small-town Britain in the 1920s.
In the late 1980s, a non-binary person has just moved to Canada and while non-binary, they aren’t ace so crushes arise and sometimes makes things complicated.
While a bit of a drag and having the feel of Oscar bait at first, by the end of the movie you’ll be in tears so bad the back of your throat will ache.
In many ways, “Origins” feels like a one-hour documentary turned 2+ hour drama despite having strong enough thoughts and messages that didn’t need a dramatization.
While “The Book of Clarence” may seem potentially controversial because it contains Jesus of Nazareth, outside of some of the conversations it could start, it is tame to the point of being boring.
Between the music and performances, the 2023 version of “The Color Purple” does enough to stand out, but it sometimes falters if you compare it to the 1985 movie.
Hulu’s “The Artful Dodger” is an unnecessary spin-off of “Oliver Twist,” but great characters and acting make it fun escapism.
With a notable focus on Louis Armstrong’s four wives, “A Wonderful World” might be Broadway-bound, but doesn’t seem like it may stay for long.
This is a character guide for Crunchyroll’s “Undead Murder Farce,” with character descriptions, quotes, names of actors, and more.
Christopher Nolan has turned one of the most complicated scientists and his horrific creation into a blockbuster movie. The result is a beautifully shot film that pushes Nolan into exciting experimental territory, but an icky feeling of Hollywood tropes may take you out of the film.
“Sealed Off” acts as a reminder that nowhere you go, or what time period, men can be trash. Also, there are certain parts of history that, for some, have been muzzled a bit.
Welcome to the 00s when TRL was huge, magazines mattered more than ever, and bellybutton piercings were all the rage thanks to so many pop princesses like Britney Spears.
Agent Elvis is an alt-history, bloody, juvenile tribute to the King. How much you like may depend on your love of Elvis and poop jokes.
While it sometimes feels like it says too much to make things more complicated than they need be, as time goes on, you realize avoiding simplicity is the point.
In this epic exploration of an Iranian Mother and her American-raised daughter’s relationship, you get a story that feels like a friend revealing a recent discovery of their family history to you.
“Little Richard: I Am Everything” is more than a documentary on the architect of Rock n’ Roll, but an Ivy League course, shrunk to a little over an hour and a half, about his social and musical impact.
“Babylon” has wonderful lead characters with potentially engrossing storylines, but it feels so bloated, thanks to putting them together and being three hours long.
While “Living” can operate as a joke of how bureaucracy can kill the soul, it also pushes you to remember your part in making a life easier or harder.
“Whitney Houston: I Wanna Dance With Somebody” will make you forget the countless TV movies that predates it.
In the first adaptation of Anne Rice’s Vampire Chronicles in serial form, race swapping isn’t the only notable thing about AMC’s version of “Interview With The Vampire.”
With being story-driven more than character-driven, “House of the Dragon” may seem like it has learned from its predecessor, but in reality, it is simply taking a different approach.
Modernized in some ways but keeping the core story intact, we watch Louis again recounting meeting Lestat in an adaptation that struggles against its predecessors.
While “Mike” is an unauthorized bio-series of one of the greatest known boxers, it sets such a precedent that it’ll be hard to imagine an authorized version topping it.
“My Best Friend’s Exorcism” is a run-of-the-mill horror film that lacks scares but does attempt to have a sweet friendship at its center.
While “Game of Thrones” is considered Bella Ramsay’s breakout role, Birdy has given proof that Ramsay can and will have diverse stardom.
“The Woman Kin” breaks the mold many may see Viola Davis trapped in as she takes on the role of an action hero during a daunting time in Africa’s history.
“Pearl” is an origin story more geared towards being a streaming release than a theatrical one.
“Three Thousand Years of Longing” is mainly about a Djinn’s attempts at love and freedom over three thousand years.
“Mike” is so good that it is unfortunate that it doesn’t involve or is supported by Mike Tyson.
In “Shaka Inkosi Yamakhosi” you’re given an overview of who the great Shaka Zulu was.
While Mrs. Harris has all the charm in the world, unfortunately, dry supporting characters are too much to compensate for.
From the perspective of Elvis Presley’s manager, “Elvis” chronicles the rise of a king and his imprisonment in Las Vegas.
The story of the Sex Pistols begins with a sad, lonely, but charming boy named Steve Jones trying to prove he is more than his molester says he is.
From raising children, creating new families, and rediscovering themselves, Elena and Lila may struggle in their friendship but find ways to flourish in their individual lives.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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