M.O.M. (Mothers of Monsters) – Review, Summary (with Spoilers)
With “M.O.M. (Mothers of Monsters)” seeking to flesh out the fear of one parent, we’re reminded how difficult it might be to stop a catastrophe.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
With “M.O.M. (Mothers of Monsters)” seeking to flesh out the fear of one parent, we’re reminded how difficult it might be to stop a catastrophe.
“Stargirl” in depicting what happens when you allow yourself to be what others want, brings about one of the best family appropriate live-action films from Disney in ages.
All The Bright Places fulfills your need for butterflies and tears, as most YA novel adaptations do.
After proving herself to be able to carry multiple films, even if they are meh, “I Am Not Okay With This” allows Sophia Lillis to be in her element and kick ass.
Between seemingly exploiting its lead having Asperger’s to an uninspiring mystery, “The Night Clerk” struggles.
In this coming of age tale, everything is about that one chance to make it and if things don’t come together, the worst happening.
In “For Life,” rather than be yet another courtroom drama where the cases seem to only matter that episode, we get a show in which each case is a building block for the future.
“Violet Evergarden I: Eternity and the Auto Memory Doll” reminds you no matter how much time has passed, you can still be strongly affected by a well-developed character.
“The Photograph” develops a mother/daughter relationship, a romance, as well as explores one woman’s struggle with the concept of love.
Through its exploration of marriage and relationships, after the honeymoon phase, “Stuck With You” explores that period between wanting to leave but not lose your investment.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.