Fleabag (NT Live) – Review and Summary with Spoilers
For those who have watched the first season of “Fleabag,” the live rendition is a treat. However, if they haven’t, you may wonder what the hype is about.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
For those who have watched the first season of “Fleabag,” the live rendition is a treat. However, if they haven’t, you may wonder what the hype is about.
As in previous seasons, Ozark may show Marty as the lead, but in reality, it is the women of the show who make it what it is.
As “Unorthodox” exposes you to a Hasidic Jewish community, it also introduces Shira Haas, who has the potential to be either an indie darling or mainstream star.
“The Ghost Who Walks” is a potential tear-jerker which, if it doesn’t make you cry, at least provides you with a thrill ride.
In part 1 of “Unorthodox,” we are introduced to a young girl yearning for family, and what she gets instead is what it appears to be a religion enforced prison.
“Sing ‘Yesterday’ For Me,” as it addresses the regrets that come with early adulthood, makes you hyper-aware of what is and isn’t going right in your life.
“Freshman Year” avoids being heavy-handed or eye-roll-inducing about faith. Rather, it approaches a young man’s faith, and decisions, with a realistic tone.
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
“Pretty Little Stalker” will keep you engaged throughout its time length, but I can’t say it should be high up on your watchlist.
“Trixie Mattel: Moving Parts” will remind you of a time when documentaries gave you the behind the scenes look that social media snatched away.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.