Block Z (2020) – Review, Summary (with Spoilers)
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
The adventure tag features those who travel beyond their home, or hometown, to find themselves, others, or something of great value.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
Like the majority of Vin Diesel movies, “Bloodshot” is more so about style than substance. Yet, is still entertaining as hell.
All The Bright Places fulfills your need for butterflies and tears, as most YA novel adaptations do.
In this coming of age tale, everything is about that one chance to make it and if things don’t come together, the worst happening.
“Fantasy Island” may surprise you with how it tries to be more than a horror movie and address the trauma of the guests on the island.
“Timmy Failure: Mistakes Were Made” is reminiscent of the DCOMs Disney used to produce, but now aimed for a younger generation.
“Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)” is part origin story, part reintroduction, and is of the ilk of Marvel’s “Deadpool.”
“The Mandalorian” does for the live-action “Star Wars” universe what some may say didn’t happen with its recent theatrical trilogy.
His Dark Materials, while wonderfully led by Dafne Keen, of Logan fame, struggles with weak reveals and lack of urgency.
In what is supposed to be the final film of the Skywalker saga, you get something casual fans may enjoy more than the hardcore ones who never liked this trilogy.
Michael Bay’s love for explosions and expensive action scenes mixed with Ryan Reynolds’ humor is a match made in big-budget heaven.
Jumanji: The Next Level’s desire to go beyond being a fun action-adventure, and have some form of emotional depth, makes its 2-hour run-length a drag.
While the Star Wars movies may divide fans, believe the hype when it comes to The Mandalorian.
After being pushed back twice, is 21 Bridges worth the wait or something that should have been dumped in the dead of the 2020 winter? Read on to find out.
The new Charlie’s Angels may have a few minor tweaks needed, but those can be done in the anticipated future installments.
His Dark Materials gets another chance in visual popular media, and it seems in series format, it’ll get its just due.
Maleficent, once more, pushes you to wonder why doesn’t Disney reinvent its villains rather than lazily remake its classics?
Abominable may appeal to kids more than adults, but there will be a handful of moments keeping you from using the movie to take a nap.
While the story of Rambo: Last Blood is weak and may cause think pieces, you may find the violence more than compensates.
Season 3 feels like the peak for Stranger Things, and from here, it can either plateau or go downhill.
Dr. Stone is an odd comedy which sets an interesting foundation, but it’s hard to say what it’s long term potential might be.
Spiderman: Far From Home feels like a shakeup to the MCU formula for its individual movies, and creates an awesome transition film for the next MCU phase.
Shaft (2019) somehow balances being modern, funny, old school, and a bad mother****er without losing a beat or pushing you to check your watch.
While it lacks the emotional oomph it should, X-Men: Dark Phoenix attempts to compensate that with quality action scenes and VFX.
Thanks to a slight 80s vibe, and the chemistry of the cast, Rim of the World is an entertaining feature which definitely is in tune with Netflix’s brand.
While there is a bit more innuendo than you may expect, Pokémon Detective Pikachu may just be the rare exception to video game/ card game crossovers.
As Phase 3 comes to an end, both casual and hardcore fans are reminded of the power of the MCU and that this is, in fact, the Endgame.
Shazam! borrows from what you expect from Marvel, adds a touch of Deadpool, but then reminds you DC us the big brother Marvel has long borrowed from.
When Polar tries to be funny, it veers towards being a horrible movie. However, when it is harnessing the seriousness of Mikkelsen’s persona, it flourishes
The Rising of the Shield Hero lives up to what its trailer hyped and may provide oh so much more.
While it certainly feels bloated at times, Mojin: The Lost Legend is, at times, a thrilling action movie.
Black Mirror: Bandersnatch is wonderfully frustrating and will probably lead you to wonder who is truly being controlled? You or Stefan?
Aquaman, alongside last year’s Wonder Woman, reminds you that DC was the first to create classic comic book characters and movies.
Mortal Engines mostly relies on special effects, and two supporting actors, to compensate for nearly every other thing the film offers.
Spider-man: Into the Spider-Verse pushes you to learn more about the iconic character, beyond Peter Parker, and creates a franchise you’ll want to see more of.
Bumblebee is a bit forceful in trying to get you emotional, but the action is just what you’d expect from a Transformers movie.
Neither geared towards children nor perhaps any particular audience, despite finally being released, Mowgli: Legend of the Jungle still seems in limbo.
At best, Everything Beautiful Is Far Away is about opening up to the unknown. At worse, it is a 90-minute movie in which not a lot happens.
Robin Hood (2018) seemingly just wants to take advantage of the hero’s name recognition and very little of the known story.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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