Bloody Axe Wound (2024): Review | The Father/Daughter Horror Movie You Wasn’t Expecting
“Bloody Axe Wound” achieves the rare balance of being funny, heartfelt, romantic, and bloody.
“Bloody Axe Wound” achieves the rare balance of being funny, heartfelt, romantic, and bloody.
Stephanie Hsu’s first major starring role is a bit rough and may struggle to win new fans and could test fans who were waiting for her to have her moment.
“Makeine: Too Many Losing Heroines” gives you that high school nostalgia in perhaps the best or worst way, as it explores burgeoning feelings like love.
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
OWN For The Holidays returns, and as it becomes one of the last instances when OWN releases scripted content, this tame but likable film is not the best way to start the season.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Brewster’s Millions Christmas,” like many movies using name recognition for a boost, feels like it didn’t and shouldn’t have used its predecessor as a crutch, for this one could have stood on its own.
“Allswell In New York” will likely become a movie you badly wish was at least a mini-series, for while a completed film, it feels like such a tease.
“The Day Before Christmas” gives you a corny but likable romance building around Christmas.
While much of what is to be expected is given with “Sweethearts,” at least the gay character, who feels obligatory/formulaic for films like this, is given a much better storyline than expected.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.