The Sacrifice Game (2023) – Review
“The Sacrifice Game” starts promising but by the end, the real crime is sacrificing time to watch this movie.
“The Sacrifice Game” starts promising but by the end, the real crime is sacrificing time to watch this movie.
In this sweet-as-can-be movie, a woman learns to say yes to something outside of working toward career goals, allowing her to have a fulfilling personal life.
As we conclude Covey’s tumultuous time in life, before motherhood, Benny’s 8-year absence is explored from start to finish.
In this Santa Claus horror film, you get blood, literal guts, and the type of scenes that aren’t noteworthy until they get particularly gruesome.
Will Zadia and Cameron come to an end? Will Shareese welcome Maurice back? How about Ashlee choosing between Donald and Kirston? As familiar faces return, we’re left to wonder how serious is anyone about long term love?
Bollywood takes on the Archie comics in Netflix’s clever and creative “The Archies.”
Thanks to cops wanting to get a local dealer by any means necessary, a young mother finds herself becoming an unwilling CI.
In a rather simple horror-esque movie, a young man finds himself hesitant to befriend a new girl, and it seems he should have followed his instincts.
Three women who spend nearly the entire movie in bikinis handle high-level drug deals in a film that straddles being corny and notably intriguing.
“The Ms. Pat Show” stays the course as it explores more challenging themes and perceptions and seeks a balance between laughter and processing trauma.
“A Christmas Serenade” feels like a rare, tame holiday movie. But with a heavy focus on faith, a church setting, and quoting of scripture, it might be for those who grow tired of how Christmas movies have become very liberal and dramatic.
“How the Gringo Stole Christmas” is a prime example of how not to shoot a comedy.
“Surprised By Oxford” pushes you to recognize it as a romance film, but without having the lead obsessed with the idea of finding love.
“How I Learned To Fly” is weighed down by focusing heavily on the struggles of its lead characters for too long before giving us a silver lining, levity, or some sign things are going to get better.
In a slightly uneventful episode, Zadia begins to realize Cameron may not have time to date as the other ladies continue to go through the motions.
“Monster,” as it shifts perspectives from one character to the next, pushes you to ask who the real monster of this story is.
Hulu’s “The Artful Dodger” is an unnecessary spin-off of “Oliver Twist,” but great characters and acting make it fun escapism.
As Covey tries to adjust to the name Eleanor, she finds herself unable to shake who she is, and when another tragedy strikes, it might be what helps keep her sane.
While “Family Switch” hits all the familiar beats of a body swap comedy, it still has enough heart to get you pass the expected results.
This is a cast and character guide for Hulu’s “The Artful Dodger.”
Eddie Murphy has his first, surprisingly, holiday movie, and between Jillian Bell and Chris Redd, you’ll find yourself laughing with the kids in the room too.
Alongside getting Lin’s background, we learn what happened to the original Eleanor.
Let the “The Holdovers” be your family in what’s possibly my favorite movie this year.
“American Fiction” may not have anything new to say with its social commentary about media, but it still is able to deliver laughs, touching moments, and a handful of frustration.
“The Doll Factory” begins with a host of curious or eccentric characters who all seem to yearn for more, often from the darkest places of their heart.
Netflix’s “A Nearly Normal Family” is a nearly normal crime story these days.
In this holiday movie definitely just made for the adults, after feeling neglected by her husband, Mrs. Claus decides to head to Miami and let her friend potentially push her to do the unthinkable.
A cast and character guide to Netflix’s crime thriller “A Nearly Normal Family.”
Christopher B. Stokes, with Marques Houston, bring you another film in their wheelhouse focused on cheating, secrets, and revenge.
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Hasan Minhaj, thanks to locking up people’s phones, gets to be free to speak not only about that New Yorker article but also about race, politics (like Hunter Biden), and the experience of being a Muslim-Indian American.
“So Fly Christmas” doesn’t include that awkward gray between relationships, as it focuses on a friendship in which one half has been far more lucky in love than the other.
Who is “Good Burger 2” for? Kenan and Kel are having too much flipping burgers to answer.
In an episode more dedicated to who is getting kicked than who is staying, it increasingly is hard to say if any of the ladies may find what they are looking for.
Ms. Pat does her best to deliver the type of Christmas she never got, and the audience is in for a Christmas episode only “The Ms. Pat Show” could deliver.
In this disaster movie, instead of action stars, we get leads known for their dramatic abilities who are tasked with surviving apocalyptic situations with none of them playing the role of the world’s savior.
“Maxine’s Baby,” is an inspirational depiction of how Tyler Perry built a film empire, but it also glorifies Perry and gives little insight into the serious critique against some of his characters.
“I Don’t Expect Anyone To Believe Me” is a bit of a sluggish film that tries to compensate by giving you violence and sexual situations, but its leads may not be enough to keep you watching for two hours.
“Genie” may focus on a father’s decline professionally and personally to begin, but once McCarthy shows up, it is no longer about that, and she steals the film.