The Fall of the House of Usher (2023) – Review and Summary
Mike Flanagan’s “The Fall of the House of Usher” is an entertaining and ghoulish time, but fans of Edgar Allan Poe’s classics may roll their eyes.
Mike Flanagan’s “The Fall of the House of Usher” is an entertaining and ghoulish time, but fans of Edgar Allan Poe’s classics may roll their eyes.
A cast and character guide to Mike Flanagan’s “The Fall of the House of Usher,” now streaming on Netflix.
Chestnut,” with its lukewarm three-way romantic drama, is watchable but not must-see cinema.
Nathan Fielder and Benny Safdie’s “The Curse” holds up a mirror to our fascination with reality TV and fabricated feel-good moments.
At the minimum, “Eileen” delivers entertaining performances worth the ticket price, and at max, you will witness at least one performance worthy of a major accolade.
“The Elderly” takes forever to get to the point, which may or may not be a play on who and what it focuses on.
Addressing both characters’ individual cultures and how sometimes the personal clashes with the timing of something romantic, “This Place” is less about causing butterflies and more about how the timing of love can be imperfect, but people can make time if they can and want to.
As usual, a person with a mental illness ends up killing people, with the only difference in “Wake” being that person is a rapper.
“Vindicta” is a Latin term that refers to “just revenge,” yet after watching “Vindicta,” viewers might want to enact their own justified revenge on the filmmakers.
“Everything Now” ends its rollercoaster ride by reminding us how far Mia has come, how far she has to go, and what the alternative is to her continuing to work to be better.