Bruiser (2021) – Review/Summary (with Spoilers)
When your father is the epitome of masculinity, what does it say about you if you aren’t a spitting image of that?
Films in this category aren’t full-length, an hour or more, movies, but shorts.
When your father is the epitome of masculinity, what does it say about you if you aren’t a spitting image of that?
The 16 minutes of Jason Park’s BJ’s Mobile Gift Shop will leave you demanding a full-length feature film, featuring Johnnyboy Tellem before 2021 is over.
Ava From My Class pushes you to wonder where the line between admiration and a crush is for its young lead.
Many young adults worldwide take advantage of privacy, which isn’t legally available to our two leads. But will they risk getting arrested to get it?
In Doublespeak, you are sorely reminded how Human Resources is more focused on protecting the company’s assets than your dignity or sense of safety.
Living up to its title a bit, You Wouldn’t Understand presents a story that leaves you wanting to rewatch for you swear you might have missed something.
Perhaps saving the best for last, No Strings delivers a sense of longing that reminds you how much we’re willing to compromise or settle for the sake of company.
The seduction of someone older and more mature meets realizing their maturity doesn’t mean they are ready for you.
Stanley buries the lead with sex and ends before you feel it gets to the good part.
A man with a secret finds himself in the company of the other person who knows what he lusts for.
In Lolo, you’ll feel like you are watching the childhood years of a group of friends before the time jumps to them as adults.
Within its 9 minute duration, Canvas brings you a touching story that makes you hope this is just a proof of concept for something more.
Fully prep to be in tears while watching the 12 minute short If Anything Happens I Love You.
In this quiet drama, a young girl, on the brink of puberty, wonders what the end result might be.
“Were You Gay In High School” has the quality and appeal of something you’d think was released on Wong Fu’s YouTube channel due to its comedy and heart.
Coming out isn’t always a delicate procedure, as shown in “Egghead & Twinkie.”
Set to the song “And Then She Kissed Me” by St. Vincent, the short, sharing the song’s name, is a sweet and quick romance made to make you swoon.
“A Long Time Coming” explores the complexities of Asian Americans and an older generation’s perspective on the Black Lives Matter protests.
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
For those who are fans of the Viziepop demon motif, something a bit more child-friendly is released – if your children are into monsters.
Hair Love is a nod to those who have kinky, curly hair, and those who help them looking cute.
In The Thin Orange Line, we’re reminded how much a person’s childhood innocence still guides them when they are an adult.
The short for Occurrence at Mills Creek is perhaps one of the best marketing pieces for a full-length film seen in a long time.
Twist is the type of film that presents to you a horror not presented enough: Being a young woman tasked with closing down their workplace at night.
Building tension, with a decent payoff, is not common. However, Shannon Kohli and Hannah Levien find a way to do it within 12 minutes.
Despite seeming like a horror film, one which pushes you to expect the worst, Whiteout is surprisingly a really good comedy.
Featuring Trinkets star Brianna Hildebrand, Momster seems less like a short and more like an extended clip from a finished movie – in a good way.
Snaggletooth was the overall best short of the WTF series and the reason why we’re breaking out many of the top shorts from TFF 2019.
The WTF Shorts at Tribeca 2019 all live up to the collection’s title, but not all for the same reason.
In preparation for the full-length Netflix release, we checked out the See You Yesterday short available on HBO until May 1st.
The Dump keeps up the weird vibe of the rest of the anthology but decides it wants to get a bit rustic, and not in a farm life kind of way.
Good Hunting will likely be one of your favorite shorts to come out of the Love, Death + Robots anthology.
Beyond the Aquila Rift may feel like it cut the bulk of a larger story, but the way it makes you fiend for details is part of the sell.
When The Yogurt Took Over is a bit of an anomaly since it doesn’t feature love, robots, and arguably no death. So, is it good?
Sucker of Souls is quite gory and a tad bit comical. However, it is towards the bottom of the Love, Death & Robots ranking.
Cartoon graphics mix with life or death situations creating moments that make you hold your breath in Suits.
In The Witness, we get what feels like a pitch to a much more complicated movie.
Three Robots is a quirky short which ends just before it could perhaps go left and overstay its welcome.
Sonnie’s Edge, thanks to its protagonist, the monster fights, and what background we get, makes you clamor for more.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.