Samah (Paloma Mafoud) looking over her shoulder
Samah (Paloma Mafoud)

One Comment

  1. As a person of Islamic background, I sadly found the short film lacking. Every story starring a Muslim girl with a hijab seems determined to get her out of it. Of course, there’s value in telling all sorts of stories stories about the complicated nature of being a Muslim kid and having to navigate what it means to have your cultural background manifest in your physical appearance. Choosing to portray a young girl separating herself from that physicality is a valid choice. But this film comes very late in a canon that has seemingly forgotten that there are are other interesting choices to be made in these situations too, other stories that real girls in our world live that are just as worthy of portrayal.

    I wish just once I might see a story that chooses to advocate for the little girls who are not uncomfortable with their hijab, but with their peers who freely alienate her for not conforming for conformity’s sake. I wish there were a story that affirmed the value of welcoming and promoting individual expression, and highlighted how unfair it is that no girl could wear a “Burkini” (what an ugly name we have given that swimsuit!) without being mocked and othered.

    At one point, the short showed magazine clippings that the protagonist had hidden in a little box away from her mother, featuring white women posing in swim suits. She was using them as reference. It struck me at the time how easily the film could have turned its eye to those magazines, and how none of them would ever feature a model wearing a “burkini” on the cover. How rare it is to see Muslim representation in the public catalogues of beauty. How this poor girl is living in a society that is forever telling her that she will never be acceptable and normal so long as she dresses the way her mother dresses, or looks how her mother looks. I desperately want to see a world where a woman can choose, in all comfort and safety, to remove her hijab or to keep it on. I wish that, by 2022, the film industry did as well.

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