Anna (2019) – Summary, Review (with Spoilers)
Anna, while above your generic Russian spy movie, seems like a direct to VoD release that somehow ended up in theaters.
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Anna, while above your generic Russian spy movie, seems like a direct to VoD release that somehow ended up in theaters.
In one movie, Child’s Play (2019) does what the original franchise consistently attempted to do: Be both horrifying yet comical.
Beats is the kind of film which has a good central story, but the bankable star gets in the way of said story shining as it could and should.
While a bit slow, and definitely having a strong indie vibe, Fast Colors eventually hooks you into its supernatural story.
Murder Mystery is probably the best Adam Sandler comedy in years, at least in terms of story.
Shaft (2019) somehow balances being modern, funny, old school, and a bad mother****er without losing a beat or pushing you to check your watch.
With I Am Mother, Netflix continues to produce quality sci-fi films with a small cast, a female lead, and loads of intrigue.
With Alex Lawther’s charm not fully engaged, Old Boys makes it difficult to invest in his character, or any others, and becomes draining.
While it lacks the emotional oomph it should, X-Men: Dark Phoenix attempts to compensate that with quality action scenes and VFX.
First Impression is a bargain bin movie which is corny, may not have the best plot but is nonetheless enjoyable.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.