SukaSuka: Season 1/ Episode 4 “Dice in Pot” – Overview/ Review (with Spoilers)
SukaSuka feebly attempts to get emotional and skips over something long awaited for – an actual battle featuring the fairies we’ve come to know.
Amari is the founder and head writer of Wherever-I-Look.com and has been reviewing media since 2010. He approaches each production with hope, rooting for every story to succeed, and believes criticism should come from unmet potential, while praise is reserved for work that meets or exceeds expectations.
SukaSuka feebly attempts to get emotional and skips over something long awaited for – an actual battle featuring the fairies we’ve come to know.
In many ways, I’m ashamed of myself. The name and works of James Baldwin are familiar in terms of title, but the person and characters within are foreign. Yet, no matter how many a Black artists or entertainers name drops him, or we see him pop up in the stories of others, I did not…
With visuals which show Bryan Fuller still isn’t over Hannibal’s cancellation and Michael Green, the co-writer of Logan alongside Fuller’s past production Heroes, you have yourself an artistic bloodbath with loads of mystery and intrigue. Trigger Warning(s): Visual of Black Man Hanged (In Episode)
As it’s revealed what happens to those like the original Ofglen, June continues to try to navigate through a world in which she finds herself to be the lobster in the boiling pot.
Ivy, like so many before her, begins building up her villain status through Penguin as Bruce and Jim dig into their pasts for a better tomorrow in Gotham.
Anne: Season 1 comes to what feels like an abrupt end that could leave you slightly uneasy about one of the storylines for season 2.
The more you learn about the world June was both born into and has been forced into, the more questions you have. Of which, when you think you may receive an answer, you are just left more confused.
Best Of Dream big, they say. Shoot for the stars. Then they lock us away for 12 years and tell us where to sit, when to pee, and what to think. […] Then we turn 18 and even though we’ve never had an original thought, we have to make the most important decision of our…
Um, I’m starting to think Netflix isn’t that good at making season finales that can actually feel like a period or exclamation mark rather than an ellipsis.
Coco once more is the focus and, unlike Lionel, we get to complete her storyline of going from insecure to some form of self-actualized.