Tsuki ga Kirei: Season 1/ Episode 1 “Spring and Hard Times” [Series Premiere] – Overview/ Review (with Spoilers)
This is a slow anime. One which isn’t seemingly going to rush how two strangers become friends, much less in a relationship.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
This is a slow anime. One which isn’t seemingly going to rush how two strangers become friends, much less in a relationship.
With the threat of his lyricist maybe leaving The Get Down Brothers, Shaolin screws up a major opportunity for Zeke and seriously sabotages the group’s future.
The Get Down returns and picks up with the kids becoming local stars but no fame comes without a price. Which, for most of them, is a lack of freedom or access to the ones they care about the most. Thus leaving room for others to make their moves in.
You ever see a description in which they note “Based off the classic […]” and you begin to think to yourself, “By whose standard?” If only because: A) You’ve never heard of it and B) You’ve read many a classic before which was shite? Well, strangely enough, Anne is more so an exception than following…
While “Revival” reminds you of the importance and beauty of the church, at the same time it makes you want to shout Mac’s line “And you call yourself a Christian!”
For those who have followed WB Animation’s darker cartoon versions of the Batman franchise, especially dealing with Damien, this pretty much maintains previously established standards.
At first, you’ll admire the tone, pacing, and what this anime seemingly wants to do. However, after awhile, you begin to wonder how long is this episode and if you could really deal with Haruki’s monotone voice another minute.
Everyone’s favorite odd Black girl Tracy is back in Chewing Gum and in this season, prepare for more of the weirdest sex situations you have perhaps ever seen and some attempt to mature and grow.
In one of Anton Yelchin’s final films, we are reminded not just of his brilliance, but how excellent the movies he decided to be a part of.
Carrie Pilby, unfortunately, is the type of film you could only imagine those in the indie hubs of NY/LA would enjoy while the rest of us feel bored out of our minds.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.