Everybody Dies… Sometimes (2023) – Movie Review and Summary (with Spoilers)
In a therapy session, Mara recounts all the people who have died she has grown close to and her anxiety that it could soon happen again.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
In a therapy session, Mara recounts all the people who have died she has grown close to and her anxiety that it could soon happen again.
“Regular Rabbit” is absolutely absurd without having to be violent, slapstick, or implement farce comedy.
Set before graduation, this episode gives you more time with the cast than adds any notable details.
“Sealed Off” acts as a reminder that nowhere you go, or what time period, men can be trash. Also, there are certain parts of history that, for some, have been muzzled a bit.
When you learn how to fight back, it is hard to show restraint when there remain bullies in the world, as shown by “The K-Town Killer.”
Pitching any kind of film, short film included, and getting financing is hard – but imagine trying to pitch to your dad and uncle who don’t get your vision that much.
Welcome to the 00s when TRL was huge, magazines mattered more than ever, and bellybutton piercings were all the rage thanks to so many pop princesses like Britney Spears.
A half-Tongan girl is being raised by her White mother, surrounded by her mother’s family, and finds herself enchanted by a pocket of her father’s culture in a local market.
Alcoholism is a disease which can get passed down from generation to generation but separately, then together, a mother and daughter seek out help with their addiction.
As it becomes do or die for Jocelyn’s tour, she and Tedros get into one final face off to see who truly rules the house and Jocelyn’s career.
Rather than pick up continuing Rudy’s quest, “Mushoku Tensei Jobless Reincarnation” decides to fill in the gap between Rudy leaving Sylphie behind and what she did after the destruction of Buena Village.
“Starling” balances being cute and sad as a young spirit returns home for their birthday.
“A Fox In The Night” seems like the beginning of an unexpected romance, and this is an extended trailer.
What better way to end 2023 Pride than a movie like “Nimona,” which reminds you how quickly hate spreads when powered by fear and the power behind being able to self-identify?
Work can often get in the way of romance, especially when survival is more paramount than quality time.
“Fairytales” is an exception to what you usually get when you see a young person in that it isn’t a coming-of-age tale or a sterile children’s story, but what it is like to be a kid.
With the type of animation which pushes you to think something nefarious could happen, “Witchfairy” sets you up for one thing but pleasantly gives you another.
Presenting multiple examples of advocating for others and yourself, “Restless Is The Night” is both cautionary and a call to action.
“Corvine” reminds you how much the support of parents matters when you are a little kid.
While many horror films have drama elements, “Run Rabbit Run” flips things and is a drama with horror elements that doesn’t necessarily do much beyond give us a creepy child.
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“Blood” takes a different approach than many when it comes to questioning or bringing up a cultural faux pas.
As Sam deals with a face from her past, who wants to bring up her past in the worst way possible, Brit is forced to deal with the present truth and Felicia? A future she may not have thought was in the cards.
“Daddy Issues” is a reminder of the awkwardness which can come the final stages of coming-of-age.
Tedros’ past continues to be exposed by Destiny as he shows how far he is willing to go for the truth.
While tediously as long as its predecessor, “Through My Window: Across The Sea” still works well as “365 Days” young adult counterpart.
Tragic and graphic, “The Angry Girl and Her Monster” causes the kind of combative feelings that make it something you have to experience for yourself.
Alongside being visually stunning, almost AAA video game quality at times, “Deep Sea” is an emotional experience, especially as it enters its third act.
In “I.S.S.,” it appears Ariana DeBose plans to actively avoid the usual Oscar slump a lot of people, especially people of color, experience via a sci-fi drama where there is a nuclear war and a battle for the International Space Station.
“The Line” is a wonderful showcase for Austin Abrams’ talent as it wastes both Halle Bailey and Angus Cloud.
“Sublime” delivers a slice-of-life story, and performances that gives perhaps the most tame LGBT story you may have ever watched.
As Tedros begins to take over Jocelyn’s life, with minimal resistance, Nikki makes plans of her own in case Jocelyn self-destructs.
Jennifer Lawrence plays what feels like an embellished version of her public persona in a pleasant film that seems like it should have been released on Hulu.
While “City On Fire” ends with some good news, as it sets up a second season, it is hard not to sigh.
As episode 3 catches us up to what led to the shooting of episode 1, a twist is added, which more so confuses things than makes them more interesting.
“Dead Girls Dancing” feels aimless as you await the story to pick up and make clear what we’re building up to.
“The Perfect Find” makes a decent romantic comedy once it moves past its ageism and misogynoir jokes.
Alongside delivering the expected laughs, “Joy Ride” is an emotional story about culture, identity, and how friends can reaffirm who you are.
As Jocelyn continues to struggle to make a comeback, Tedros’ background and grand plans for Jocelyn are slowly revealed.
The mystery of Ariana begins to be deciphered, alongside what life was like at Yitzhak’s rooming house.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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