Sex Education: Season 4/ Episode 4 – Recap and Review
Maeve’s return leads to Otis dropping everything but, in his absence, Eric and Ruby are given time to reflect. Also, other relationships begin to form.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
Maeve’s return leads to Otis dropping everything but, in his absence, Eric and Ruby are given time to reflect. Also, other relationships begin to form.
Akira finally makes it home, but a few new people in Gunma don’t fit in with the down-home, rural vibe.
“Barber” has two competing lead storylines, between its lead character’s personal life and case, that conflict and don’t complement each other well.
As Otis and Ruby rekindle their bond, Eric lives his best life with Abbi’s people, and Mr. Groff shows he is truly trying to be better.
As Otis continues to show he sucks at handling any relationships which is his own, Eric opens the door for us getting to know Abbi better, and Jackson has something new to ask Otis about.
With Rudy and Sylphie confessing their feelings comes the question of how she will handle his ED and whether the first half of the season ends on a high note or one which is bittersweet.
“Sex Education” enters its final season with many familiar faces missing but with a notable slew of new characters to take up their screen time.
It’s graduation day at Katagiri High School, and while there aren’t tear-filled goodbyes, there are moments for viewers that may bring a tear to your eye.
If you’ve seen anything similar to “Vicious Affair,” I can guarantee you this movie’s only difference is who is in the cast.
Excerpt
It’s time for final decisions, and, as usual, we don’t end up with three final couples. However, do we at least end up with one that’s believable?
In its mid-season finale, Kevin says his final goodbye, as do a few others, as Alicia and other new characters push the idea they soon will take up the screen time of those dearly departed.
“It Lives Inside” deserves praise for how it handles being a first-generation Indian in a White community but might be considered lackluster as a horror movie.
“Love & Murder: Atlanta Playboy” often feels like the type of movie you’ve seen many times before, with the only difference being this is based on the true story of Lance Herndon.
“Elevator Game” may have some missteps, and may not justify its villain’s motive well, but it does have likable characters who you are interested in enough to wonder if they will survive.
Beatrix finally joins Akira’s crew, and as this happens, Shizuka pulls down another wall thanks to Akira.
A woman betrayed by society and who she was close to prays for help and ends up getting what she asks for, but her prayers aren’t answered by who she expected.
A girl who doesn’t plan as well as she should meets a boy who leaves very little to chance, and rather than this leading to them balancing each other out, it sets up a meet-cute story that will certainly make you a fan of Haley Lu Richardson.
In this post, you’ll find collected quotes from Amanda Seales’ podcast “Small Doses.” I hope you enjoy the quotes collected.
While we’ve seen Miyamura in the Hori household, it is further established why he melds so well by revealing how Yuriko and Kyousuke met.
With Sylphie’s gender discovered, so comes the question of whether she’ll make a move or have it where she and Rudy just share this secret, and not much comes of it.
With things coming to an end, one person realizes they are, and may have been for a while, wasting their time.
The aftermath of the events of the last episode unfurls as Kiesha and Nina share a therapy session together that opens up old wounds.
Unfortunately, “Cassandro” sidesteps going too deep into any potential wound or struggle to give you a light-hearted drama that easily becomes dull due to its rounded edges.
In “A Haunting In Venice,” Hercule Poirot returns and makes it clear that, while the third movie starring the character, there is the potential for a James Bond-level number of movies starring lead and director Kenneth Branagh.
“What Happens In The Dark” shows some signs it could have been interesting, but instead, it is lukewarm thanks to a lack of information about what’s going on, how we got here, and who is dishing out the consequences.
“Jaja’s African Hair Braiding” is the type of play that demands an audience reaction as it exhibits community on stage and fosters it within the audience.
In a woodburning oven type of romance featuring usual romance and LGBT+ tropes, you get “Aristotle and Dante Discover the Secrets of the Universe.”
As the second season enters its final episodes, we get an episode that feels more akin to what we got in season 1, as Hori’s insecurities and violent nature are displayed.
In a mostly slice-of-life episode, we’re reminded of Rudy’s daily routine. But, with him, once again, questioning his feelings for Sylphie, it seems we’re starting to get to the point where he wants to act on what he feels.
It’s Valentine’s Day, and for Sawada, Hori, and Miyamura, it means coming up with something good for their favorite person – and Sawada maybe making a new friend.
Denzel Washington makes what is likely to be his final return to “The Equalizer” franchise, and while he shows he still has it, the film doesn’t present much to show why this film needed to become a trilogy.
With a “Sex Education” and “Stranger Things” alumni, and the Russo Brothers as executive producers, this had to be good… right?
This episode is a major turning point as a new character is introduced, we say goodbye to another, and with the kids graduating high school, the question of what’s next for them.
As the getaway ends, and the ladies have the power to eliminate, it seems to come down to who the first choice is and their backup plan.
“The Nun II” reminds you that it isn’t just Disney and the Marvel Cinematic Universe that milks its franchises past its prime – the horror genre has been doing that since its inception.
“Twisted Marriage Therapist” may give itself away with its title, but there are periods in it where it offers more than the usual.
“Sitting In Bars With Cake” will push you to be grateful for your best friend, or closest friend, as you watch two best friends hit many monumental moments – of which not all are positive.
“Midnight Hustle” may not tap into its full potential, but what it does offer someone may find interesting.
“Slotherhouse,” like most horror comedies, are enjoyable as long as you can embrace how ridiculous it is for if you look past the superficial, there isn’t much there.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.