Collected Quotes: Small Doses (with Amanda Seales)
In this post, you’ll find collected quotes from Amanda Seales’ podcast “Small Doses.” I hope you enjoy the quotes collected.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
In this post, you’ll find collected quotes from Amanda Seales’ podcast “Small Doses.” I hope you enjoy the quotes collected.
While we’ve seen Miyamura in the Hori household, it is further established why he melds so well by revealing how Yuriko and Kyousuke met.
With Sylphie’s gender discovered, so comes the question of whether she’ll make a move or have it where she and Rudy just share this secret, and not much comes of it.
With things coming to an end, one person realizes they are, and may have been for a while, wasting their time.
The aftermath of the events of the last episode unfurls as Kiesha and Nina share a therapy session together that opens up old wounds.
Unfortunately, “Cassandro” sidesteps going too deep into any potential wound or struggle to give you a light-hearted drama that easily becomes dull due to its rounded edges.
In “A Haunting In Venice,” Hercule Poirot returns and makes it clear that, while the third movie starring the character, there is the potential for a James Bond-level number of movies starring lead and director Kenneth Branagh.
“What Happens In The Dark” shows some signs it could have been interesting, but instead, it is lukewarm thanks to a lack of information about what’s going on, how we got here, and who is dishing out the consequences.
“Jaja’s African Hair Braiding” is the type of play that demands an audience reaction as it exhibits community on stage and fosters it within the audience.
In a woodburning oven type of romance featuring usual romance and LGBT+ tropes, you get “Aristotle and Dante Discover the Secrets of the Universe.”
As the second season enters its final episodes, we get an episode that feels more akin to what we got in season 1, as Hori’s insecurities and violent nature are displayed.
In a mostly slice-of-life episode, we’re reminded of Rudy’s daily routine. But, with him, once again, questioning his feelings for Sylphie, it seems we’re starting to get to the point where he wants to act on what he feels.
It’s Valentine’s Day, and for Sawada, Hori, and Miyamura, it means coming up with something good for their favorite person – and Sawada maybe making a new friend.
Denzel Washington makes what is likely to be his final return to “The Equalizer” franchise, and while he shows he still has it, the film doesn’t present much to show why this film needed to become a trilogy.
With a “Sex Education” and “Stranger Things” alumni, and the Russo Brothers as executive producers, this had to be good… right?
This episode is a major turning point as a new character is introduced, we say goodbye to another, and with the kids graduating high school, the question of what’s next for them.
As the getaway ends, and the ladies have the power to eliminate, it seems to come down to who the first choice is and their backup plan.
“The Nun II” reminds you that it isn’t just Disney and the Marvel Cinematic Universe that milks its franchises past its prime – the horror genre has been doing that since its inception.
“Twisted Marriage Therapist” may give itself away with its title, but there are periods in it where it offers more than the usual.
“Sitting In Bars With Cake” will push you to be grateful for your best friend, or closest friend, as you watch two best friends hit many monumental moments – of which not all are positive.
“Midnight Hustle” may not tap into its full potential, but what it does offer someone may find interesting.
“Slotherhouse,” like most horror comedies, are enjoyable as long as you can embrace how ridiculous it is for if you look past the superficial, there isn’t much there.
What made Shizuka so cold towards Akira and what eventually led to her warming up to him is revealed as Kosugi tries to sway Akira to stay in his encampment forever.
As Sylphie continues to wrestle with her feelings, she introduces Rudy to someone of his past who causes him to have a dramatic and visceral reaction.
As prom comes around, it means some of the teens getting a break from the drama, but some really just can’t escape it. Meanwhile, the adults who have connections with Douda continue to question how much of an asset he can be.
As one final couple seems to be secured, everyone else either seems to be blind to who is not interested in them or are struggling with the idea choosing who is left.
“#ChadGetsTheAxe” harnesses the idea of an influencer in a horror movie in ways that have yet to be done at this level – and it is probably one of the best digital releases of the year.
On August 29th, director and writer Gareth Edwards hosted a Q&A which featured three exclusive scenes from the upcoming “The Creator.” Here you’ll find information about the scenes and highlights from the Q&A.
A man as aggressive as Wayne comes into Jazzy’s life, but is his charm strong enough to undo Wayne’s spell?
Jazzy continues to let Wayne play in her face and question if she should stay or go, thanks to some sweet words and gifts.
Jazzy introduces Whitney, Wayne’s fiancée, and breaks down the rise and fall of that relationship.
A familiar face, once again, comes back into Akira’s life, but this one doesn’t bring fond memories.
For those who might have been uncomfortable with the last two episodes, rejoice! While Rudy does have perverted moments, this episode is more dedicated to his strength as he takes on multiple duels.
A cunning 12-year-old, living on her own, meets her father finally, but only after her mother dies.
The kids’ favorite perverted teacher, Yasuda, is focused on.
It’s time for the ladies to have the men meet their best friends, and if you’ve been watching closely, the problems you’ve been peeping finally get realized by the cast.
“ReUp” delivers a strong sense of community as people lean on each other to celebrate the good times and have some minor drama.
“Caught Up” undoubtedly feels like a Tyler Perry production, but also a bit of counter-programming compared to the many urban dramas out there.
“Retribution,” without question, is very on-brand for Liam Neeson, but with his character stuck in a car and not fighting anyone, he channels his trademark intensity in a different way.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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