Scavengers Reign: Season 1/ Episode 1 “The Signal” – Recap and Review [Series Premiere]
Looking like something out of Tonami, “Scavengers Reign” is the type of anime for which sci-fi fans surely will clamor.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
Looking like something out of Tonami, “Scavengers Reign” is the type of anime for which sci-fi fans surely will clamor.
Four ladies of past Ready To Love seasons get a spin-off where they remain in the power position all season long, but will that be enough to help them find love?
Chestnut,” with its lukewarm three-way romantic drama, is watchable but not must-see cinema.
At the minimum, “Eileen” delivers entertaining performances worth the ticket price, and at max, you will witness at least one performance worthy of a major accolade.
“The Elderly” takes forever to get to the point, which may or may not be a play on who and what it focuses on.
Addressing both characters’ individual cultures and how sometimes the personal clashes with the timing of something romantic, “This Place” is less about causing butterflies and more about how the timing of love can be imperfect, but people can make time if they can and want to.
As usual, a person with a mental illness ends up killing people, with the only difference in “Wake” being that person is a rapper.
“Everything Now” ends its rollercoaster ride by reminding us how far Mia has come, how far she has to go, and what the alternative is to her continuing to work to be better.
This is a character guide for Netflix’s “Everything Now,” with character descriptions, quotes, names of actors, and more.
In the penultimate episode of the season, “Everything Now” decides to take a dive off the height that was episode 6 as Mia’s 17th birthday arrives.
“Everything Now” switches things up by focusing on what Alex, Mia’s little brother, has gone through and is going through, and it’ll make you wish and hope we get others perspectives in the final episodes.
As Mia questions what is going on with Alison, Will explores something new and Viv’s secret is forced out into the light.
As sex becomes a topic of conversation Mia would love to avoid, she finds herself confronting everyone about the lies they have told.
As Mia reaches an epic high, she is reminded what goes up must come down.
In a tragic, long-in-the-tooth, multi-generational love story, two people have a constant case of bad timing, which ruins the love that could be.
As Mia seeks out what kind of normal she can attain, she gets surprised by two who offer her a chance at a new normal rather than the one she expected or was used to.
In what can be seen as a mini-career and life retrospective, Tony Winner Alex Newell walks their audience through some of their favorites Broadway numbers, including those they made a hit.
In this simple revenge tale, a young lady’s best friend decides she no longer wants to be alive, which sets off a chain of events to kill off the man who blackmailed her.
In a episode mainly focused on how Janelle made people feel a certain type of way, she mostly remains unbothered by their struggles.
“Totally Killer,” as its title implies, is a fun horror movie to watch but ultimately is more content to consume than a new movie to put into your annual Halloween rotation.
Like many Sci fi dramas, especially those lacking action, “Foe” is dry and even with its twist, passable.
“Everything Now” feels like a precedent setting show about the teen years that might be more honest, relatable, and nuance than what we often see.
“The Royal Hotel” pushes you to asks questions, especially regarding perception, over be entertained.
Miyazaki’s latest is as beautiful, if not more, than his last. However, it is by no means the type of character driven tales he is known for.
“Sex Education” ends on a high note, but without some of the dream scenarios some may have wanted.
In the series’ penultimate episode, O and Maeve have emotional scenes that will get you in your feelings, and Aimee, Isaac, and Aisha take a stand against a college which claims to be progressive.
It’s Erin’s funeral, and Sean decides to make the day harder. But he isn’t alone as Eric comes to multiple realizations, as does Viv.
As Maeve struggles with all she left behind in the UK, O and Otis debate, and Eric seems to have renewed his faith in a notable way.
“SaW X” brings back John and Amanda and tries to milk them both for every last bit of nostalgia possible while failing to realize the franchise has rightfully moved on from them.
“The Kill Room” gives what is expected from Tarantino alumnus Uma Thurman and Samuel L. Jackson in a forgettable but likable crime comedy.
Part 1 delivers the drama you’ve been waiting for, but as the ending shows, we may have seen nothing yet.
Part 2 of “Love & Murder: Atlanta Playboy” focuses on the murder investigation and with Taye Diggs in it less, it means more drama from the caricatures of Lance’s past lovers.
As emotionally stirring as it is beautiful, “The Creator” presents the worst case scenario for humanity’s relationship with robots in such a way that the film has the potential to be seen as a modern classic at best or underrated at worse.
Maeve’s return leads to Otis dropping everything but, in his absence, Eric and Ruby are given time to reflect. Also, other relationships begin to form.
Akira finally makes it home, but a few new people in Gunma don’t fit in with the down-home, rural vibe.
“Barber” has two competing lead storylines, between its lead character’s personal life and case, that conflict and don’t complement each other well.
As Otis and Ruby rekindle their bond, Eric lives his best life with Abbi’s people, and Mr. Groff shows he is truly trying to be better.
As Otis continues to show he sucks at handling any relationships which is his own, Eric opens the door for us getting to know Abbi better, and Jackson has something new to ask Otis about.
With Rudy and Sylphie confessing their feelings comes the question of how she will handle his ED and whether the first half of the season ends on a high note or one which is bittersweet.