Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
Belly finally makes a decision regarding not only her romantic life but moving forward beyond that, as Laurel is pushed out of her comfort zone and Taylor is forced to admit something to Steven.
“Birth/Rebirth” in using death as the villain, and humanity as morally grey, gives you an engaging horror film that isn’t dependent on blood, guts, and violence to keep you watching.
It’s that peculiar time of “Ready To Love” when cast members meet the exes and more often than not, it blows up in the other person’s face.
Landscape with Invisible Hand starts off strong when focused on the humans dealing with an alien invasion. However, once the aliens become a prominent part of the film, it’s hard to maintain interest.
“Ruined” fits the bill of the crazed light skin person whose desires for one half of a married couple lead to them becoming so crazy they are willing to kill.
As Jodie is finally told the truth, he questions what to do with it since he doesn’t wish to make money from it but isn’t necessarily trying to step up to become a prophet – yet.
As word spreads about Jodie and the truck accident, his mom begins to get antsy and thinks it might be time to go on the run again.
“The Chosen One” could very well be a means to hold over fans of shows like “Stranger Things” for while it may not focus heavily on nostalgia, it does give you the kind of group of kids you’ll want to invest in, especially as supernatural things begin to happen.
As long as you are just looking for a Boomer to kill some millennials, you have come to the right place. If you want more than just that, this may feel too barebones.
While “Mad Fate” is bizarre and makes an effort to keep up a high level of energy as you are led to wonder when, or if, its lead may snap and kill again, after a certain point, it becomes a bore.
A mother starting over after a divorce finds herself enamored by a young girl with a heartening story who is homeless. Thus she takes her in and finds a renewed energy in her household.
Lynn Whitfield makes her debut on “The Chi” and with her influence, we may lose one of the tenured characters on the show.
Tommy decides to throw a curveball of a double elimination! Can you guess which two men are told they are not “Ready To Love?”
Sawada and Sakura get some notable focus as we peer into their lives – from what makes Sakura’s life joyful to what makes Sawada’s life hard.
Shizuka and Akira meet again, but will this time be friendlier than the last?
Rudy continues to grow closer to Fitz, to the point of questioning his sexuality, and he ends up in a slave market in this episode.
Laurel shows up to Cousins and seems ready to raise hell after Belly’s phone call.
“Susie Searches” struggles due to letting you in on the secret that the film is about.
A summary of how “Close Encounters” (2023) ended, its major storylines and whether a prequel or sequel is possible.
In this soap opera styled movie, there are so many twists, turns, surprises, and betrayals that, while you’ll be able to keep up, you might be left exhausted.
The mystery in “City On Fire” of who shot Sam, thanks to Chase Sui Wonders, keeps you interested in the show as it struggles to build up its supporting cast.
“High School Musical: The Musical: The Series” returns for its final season by delivering the making of “High School Musical 4.”
After wasting half the episode with a sleepover, we get to see Remi and Sengoku’s relationship have more focus than ever before.
Rudy arrives at the Ranoa University of Magic where familiar faces from season 1, like Sylphie’s, greet him, and he gets into a situation that could trigger ill feelings from his past.
“The Chi” returns, jumping ahead to the winter, and despite not much time passing, it seems so much has happened that will give us a show that may not find itself slowly down despite the rare opportunity to have a sixth season.
Non-Negotiables, aka deal breakers, are shared, which doesn’t lead to any shake-ups, but someone having baggage, and not hiding it in the closet, makes them a easy target for elimination.
As usual, Belly is torn between Conrad and Jeremiah, but now things are reaching a fever pitch. But, as she deals with boy drama, Taylor has her own love triangle issues, and Skye? Well, they are ready to make a move.
“Passages,” on the surface, can seem like a narcissistic man trying to have his cake and eat it too, but the deeper it goes, the more you see how relationships were long troubles before social media and app dating.
“Sisters” rushes through most of the sisters’ struggles and even the crimes they try to commit to get themselves out of succeeding bad situations.
While Ali Wong’s opening act doesn’t present the type of comedy that can leave a strong impression, seeing her live and raw about life post-divorce is a treat.
In an episode focused on Jeremiah’s point of view, we get to ask, “Will they or won’t they” for not only him and Belly but a few others.
Akira realizes one of the things even his past job didn’t take from him, as he meets some cute girls he hopes are single.
Similar to the Spiderman franchise, it seems all the “Teenage Mutant Ninja Turtle” franchise needed was to be rebooted enough times to recapture the magic.
“The Baker” entertains throughout its run time but is ultimately forgettable.
While Elinalise’s arrival comes with multiple instances of good news, unfortunately, Rudy still is unable to take advantage of what Elinalise is known to offer.
We take a break from your regularly scheduled focus on Kyoko and Izumi to allow Shuu some level of spotlight.
While a unnecessary reboot, there is no denying this adaptation aims to bring something different.
Jim Cavaziel auditions to be Liam Neeson’s successor as he takes on becoming the savior for children kidnapped and put into the sex trafficking industry.
The case dealing with who killed Jean’s wife comes to a slightly anti-climatic close but does set up meeting the man you want the show to focus on.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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