Scavengers Reign: Season 1/ Episode 9 “The Mountain” – Recap and Review (with Spoilers)
As we prep for the final stretch of episodes, we see yet another collision course with Kamen’s alien mother on the horizon.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
As we prep for the final stretch of episodes, we see yet another collision course with Kamen’s alien mother on the horizon.
As Sam shows signs of some form of mania, Azi has to learn how to deal with dynamics that don’t have her in a power position.
Azi may finally be rescued, but at a price. But, as Ursula learns, not all help received is from people with good intentions.
“The Tunnel to Summer, the Exit of Goodbyes” doesn’t overstay its welcome, and by getting to the point, getting you invested, teary-eyed, and sending you on your way, it is the best kind of entertainment.
Daisy Ridley continues to prove she’ll have a career beyond Star Wars as she plays the daughter of a kidnapping and murderer.
“Ready To Love: Make A Move” probably has the least dramatic episode of the franchise, even with tough elimination decisions.
“A Wesley Christmas Wedding” largely sets aside the drama experienced in the first movie and more so gives us laughs, love, and a touch of loneliness from a few.
“What Happens Later” may feature the archetypes that made Meg Ryan and David Duchovny staples in the entertainment industry, but they lack the chemistry needed to make this film good.
Aubrey Plaza’s brand of bizarre comes to New York City, and like the majority of her roles, there is complexity beyond the madness.
Two hostile interactions threaten those who remain in the latest episode of Scavengers Reign.
As Kamen is forced to acknowledge his part in everyone’s troubles, Azi learns to not be so afraid, and Sam and Ursula continue their trek to the ship.
As it is confirmed who is to blame for all we see, it is also depicted the path forward as nothing in the past can change, but many can decide how to handle the future.
“Anatomy Of A Fall” will likely become this year’s top mystery movie, with the kind of performances that will likely cause the film and its lead actress to resurge in the zeitgeist when it’s time to dole out accolades.
With a notable focus on Louis Armstrong’s four wives, “A Wonderful World” might be Broadway-bound, but doesn’t seem like it may stay for long.
Tamica decides to have the ladies date the same man. Will this mean drama or the type of maturity you’d hope for?
As it becomes clear the groups we’ve been following are connected, we are also pushed to wonder what led to them being separated and not together.
While a storm slows down the progress of the story, you’ll remain invested in the characters.
In what may feel like a slightly familiar underdog story, a woman, who has recently been widowed, has to fight for what’s left from her marriage to secure her comforts and future.
In this revenge tale featuring voodoo, a nephew is tasked with executing their uncle’s revenge against their will.
While we are the first to call to question why any movie needs to be three hours, “About Dry Grasses” makes the best use of its time through enviable conversations and how it deconstructs its lead.
“Fingernails” is a sluggish two hour movie which lacks a hook.
Tamica sets the ladies up on some dates, and they easily handle their first elimination. However, drama between Zadia and Shareese shakes up the house.
“Perfect Days” spends nearly an entire hour testing its viewers loyalty, and once it makes an effort to get interesting, it doesn’t compensate for lost time as some may wish it had.
“Something You Said Last Night” exists in the very tame depiction of LGBTQ+ issues, and as much as it makes clear that something is going on with the lead, it doesn’t dig deep in any form or fashion to get you interested.
The popular podcast comes to the New York City Javits Center, and lives up to the hype of the many viral clips you’ve seen on social media.
“Night of the Hunted” is an intense shooter that may start to drag in the end, but with the life-or-death situation the lead goes through, you’ll be on edge for most of the film.
Looking like something out of Tonami, “Scavengers Reign” is the type of anime for which sci-fi fans surely will clamor.
Four ladies of past Ready To Love seasons get a spin-off where they remain in the power position all season long, but will that be enough to help them find love?
Chestnut,” with its lukewarm three-way romantic drama, is watchable but not must-see cinema.
At the minimum, “Eileen” delivers entertaining performances worth the ticket price, and at max, you will witness at least one performance worthy of a major accolade.
“The Elderly” takes forever to get to the point, which may or may not be a play on who and what it focuses on.
Addressing both characters’ individual cultures and how sometimes the personal clashes with the timing of something romantic, “This Place” is less about causing butterflies and more about how the timing of love can be imperfect, but people can make time if they can and want to.
As usual, a person with a mental illness ends up killing people, with the only difference in “Wake” being that person is a rapper.
“Everything Now” ends its rollercoaster ride by reminding us how far Mia has come, how far she has to go, and what the alternative is to her continuing to work to be better.
This is a character guide for Netflix’s “Everything Now,” with character descriptions, quotes, names of actors, and more.
In the penultimate episode of the season, “Everything Now” decides to take a dive off the height that was episode 6 as Mia’s 17th birthday arrives.
“Everything Now” switches things up by focusing on what Alex, Mia’s little brother, has gone through and is going through, and it’ll make you wish and hope we get others perspectives in the final episodes.
As Mia questions what is going on with Alison, Will explores something new and Viv’s secret is forced out into the light.
As sex becomes a topic of conversation Mia would love to avoid, she finds herself confronting everyone about the lies they have told.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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