Christmas of Yes (2023) – Movie Review/Summary
In this sweet-as-can-be movie, a woman learns to say yes to something outside of working toward career goals, allowing her to have a fulfilling personal life.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
In this sweet-as-can-be movie, a woman learns to say yes to something outside of working toward career goals, allowing her to have a fulfilling personal life.
As we conclude Covey’s tumultuous time in life, before motherhood, Benny’s 8-year absence is explored from start to finish.
In this Santa Claus horror film, you get blood, literal guts, and the type of scenes that aren’t noteworthy until they get particularly gruesome.
Will Zadia and Cameron come to an end? Will Shareese welcome Maurice back? How about Ashlee choosing between Donald and Kirston? As familiar faces return, we’re left to wonder how serious is anyone about long term love?
Thanks to cops wanting to get a local dealer by any means necessary, a young mother finds herself becoming an unwilling CI.
In a rather simple horror-esque movie, a young man finds himself hesitant to befriend a new girl, and it seems he should have followed his instincts.
Three women who spend nearly the entire movie in bikinis handle high-level drug deals in a film that straddles being corny and notably intriguing.
“The Ms. Pat Show” stays the course as it explores more challenging themes and perceptions and seeks a balance between laughter and processing trauma.
“A Christmas Serenade” feels like a rare, tame holiday movie. But with a heavy focus on faith, a church setting, and quoting of scripture, it might be for those who grow tired of how Christmas movies have become very liberal and dramatic.
“Surprised By Oxford” pushes you to recognize it as a romance film, but without having the lead obsessed with the idea of finding love.
“How I Learned To Fly” is weighed down by focusing heavily on the struggles of its lead characters for too long before giving us a silver lining, levity, or some sign things are going to get better.
In a slightly uneventful episode, Zadia begins to realize Cameron may not have time to date as the other ladies continue to go through the motions.
“Monster,” as it shifts perspectives from one character to the next, pushes you to ask who the real monster of this story is.
As Covey tries to adjust to the name Eleanor, she finds herself unable to shake who she is, and when another tragedy strikes, it might be what helps keep her sane.
While “Family Switch” hits all the familiar beats of a body swap comedy, it still has enough heart to get you pass the expected results.
Eddie Murphy has his first, surprisingly, holiday movie, and between Jillian Bell and Chris Redd, you’ll find yourself laughing with the kids in the room too.
Alongside getting Lin’s background, we learn what happened to the original Eleanor.
“American Fiction” may not have anything new to say with its social commentary about media, but it still is able to deliver laughs, touching moments, and a handful of frustration.
“The Doll Factory” begins with a host of curious or eccentric characters who all seem to yearn for more, often from the darkest places of their heart.
In this holiday movie definitely just made for the adults, after feeling neglected by her husband, Mrs. Claus decides to head to Miami and let her friend potentially push her to do the unthinkable.
Christopher B. Stokes, with Marques Houston, bring you another film in their wheelhouse focused on cheating, secrets, and revenge.
Hasan Minhaj, thanks to locking up people’s phones, gets to be free to speak not only about that New Yorker article but also about race, politics (like Hunter Biden), and the experience of being a Muslim-Indian American.
“So Fly Christmas” doesn’t include that awkward gray between relationships, as it focuses on a friendship in which one half has been far more lucky in love than the other.
In an episode more dedicated to who is getting kicked than who is staying, it increasingly is hard to say if any of the ladies may find what they are looking for.
Ms. Pat does her best to deliver the type of Christmas she never got, and the audience is in for a Christmas episode only “The Ms. Pat Show” could deliver.
In this disaster movie, instead of action stars, we get leads known for their dramatic abilities who are tasked with surviving apocalyptic situations with none of them playing the role of the world’s savior.
“I Don’t Expect Anyone To Believe Me” is a bit of a sluggish film that tries to compensate by giving you violence and sexual situations, but its leads may not be enough to keep you watching for two hours.
“Genie” may focus on a father’s decline professionally and personally to begin, but once McCarthy shows up, it is no longer about that, and she steals the film.
This is a character guide for Hulu’s “Bllack Cake,” with character descriptions, quotes, names of actors, and more.
In the pseudo-season finale of “The Ms. Pat Show,” while things may end with a nice little bow, there is no denying that bow is a bit ripped at the seams.
As Ms. Pat addresses the Michelle situation, Denise ends up in some drama of her own that may require taking off her earrings and getting some Vaseline.
While Julianne Moore and Natalie Portman face off in ways that remind you of their most wicked characters, Charles Melton, trapped in the middle, finds room to have a remarkable performance, likely to shift his career.
“Dashing Through The Snow” doesn’t follow the usual holiday movie formula, thus requiring getting used to what it offers, which you could come to like.
“Wish” seems like it was made for Disney Plus as part of Disney’s 100th anniversary celebration, but someone had enough faith in it to garner a theatrical release.
As it becomes a serious question worth asking, if the numbers game will lead to the same problem the ladies had before, the ladies continue to be entertained but maybe not find “The One.”
“Rustin” depicts a civil rights icon in ways not seen since Denzel Washington played Malcolm X.
If you wanted violence, gore, and a villain whose madness is almost justifiable, “Thanksgiving” makes up for the rather tame offerings we got in October.
“Black Cake” potentially fills the void of having a drama focused on Black people and the Black experience without focusing on people living in an urban area or who are rich and are bickering over status and money.
As Brandon faces harassment from a parent, Terry is dealing with the same, but from the HR person at his job, who is crossing all kinds of lines.