Totally Killer (2023) – Review and Summary
“Totally Killer,” as its title implies, is a fun horror movie to watch but ultimately is more content to consume than a new movie to put into your annual Halloween rotation.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
“Totally Killer,” as its title implies, is a fun horror movie to watch but ultimately is more content to consume than a new movie to put into your annual Halloween rotation.
Like many Sci fi dramas, especially those lacking action, “Foe” is dry and even with its twist, passable.
“Everything Now” feels like a precedent setting show about the teen years that might be more honest, relatable, and nuance than what we often see.
“The Royal Hotel” pushes you to asks questions, especially regarding perception, over be entertained.
Miyazaki’s latest is as beautiful, if not more, than his last. However, it is by no means the type of character driven tales he is known for.
“Sex Education” ends on a high note, but without some of the dream scenarios some may have wanted.
In the series’ penultimate episode, O and Maeve have emotional scenes that will get you in your feelings, and Aimee, Isaac, and Aisha take a stand against a college which claims to be progressive.
It’s Erin’s funeral, and Sean decides to make the day harder. But he isn’t alone as Eric comes to multiple realizations, as does Viv.
As Maeve struggles with all she left behind in the UK, O and Otis debate, and Eric seems to have renewed his faith in a notable way.
“SaW X” brings back John and Amanda and tries to milk them both for every last bit of nostalgia possible while failing to realize the franchise has rightfully moved on from them.
“The Kill Room” gives what is expected from Tarantino alumnus Uma Thurman and Samuel L. Jackson in a forgettable but likable crime comedy.
Part 1 delivers the drama you’ve been waiting for, but as the ending shows, we may have seen nothing yet.
Part 2 of “Love & Murder: Atlanta Playboy” focuses on the murder investigation and with Taye Diggs in it less, it means more drama from the caricatures of Lance’s past lovers.
As emotionally stirring as it is beautiful, “The Creator” presents the worst case scenario for humanity’s relationship with robots in such a way that the film has the potential to be seen as a modern classic at best or underrated at worse.
Maeve’s return leads to Otis dropping everything but, in his absence, Eric and Ruby are given time to reflect. Also, other relationships begin to form.
Akira finally makes it home, but a few new people in Gunma don’t fit in with the down-home, rural vibe.
“Barber” has two competing lead storylines, between its lead character’s personal life and case, that conflict and don’t complement each other well.
As Otis and Ruby rekindle their bond, Eric lives his best life with Abbi’s people, and Mr. Groff shows he is truly trying to be better.
As Otis continues to show he sucks at handling any relationships which is his own, Eric opens the door for us getting to know Abbi better, and Jackson has something new to ask Otis about.
With Rudy and Sylphie confessing their feelings comes the question of how she will handle his ED and whether the first half of the season ends on a high note or one which is bittersweet.
“Sex Education” enters its final season with many familiar faces missing but with a notable slew of new characters to take up their screen time.
It’s graduation day at Katagiri High School, and while there aren’t tear-filled goodbyes, there are moments for viewers that may bring a tear to your eye.
If you’ve seen anything similar to “Vicious Affair,” I can guarantee you this movie’s only difference is who is in the cast.
Excerpt
It’s time for final decisions, and, as usual, we don’t end up with three final couples. However, do we at least end up with one that’s believable?
In its mid-season finale, Kevin says his final goodbye, as do a few others, as Alicia and other new characters push the idea they soon will take up the screen time of those dearly departed.
“It Lives Inside” deserves praise for how it handles being a first-generation Indian in a White community but might be considered lackluster as a horror movie.
“Love & Murder: Atlanta Playboy” often feels like the type of movie you’ve seen many times before, with the only difference being this is based on the true story of Lance Herndon.
“Elevator Game” may have some missteps, and may not justify its villain’s motive well, but it does have likable characters who you are interested in enough to wonder if they will survive.
Beatrix finally joins Akira’s crew, and as this happens, Shizuka pulls down another wall thanks to Akira.
A woman betrayed by society and who she was close to prays for help and ends up getting what she asks for, but her prayers aren’t answered by who she expected.
A girl who doesn’t plan as well as she should meets a boy who leaves very little to chance, and rather than this leading to them balancing each other out, it sets up a meet-cute story that will certainly make you a fan of Haley Lu Richardson.
In this post, you’ll find collected quotes from Amanda Seales’ podcast “Small Doses.” I hope you enjoy the quotes collected.
While we’ve seen Miyamura in the Hori household, it is further established why he melds so well by revealing how Yuriko and Kyousuke met.
With Sylphie’s gender discovered, so comes the question of whether she’ll make a move or have it where she and Rudy just share this secret, and not much comes of it.
With things coming to an end, one person realizes they are, and may have been for a while, wasting their time.
The aftermath of the events of the last episode unfurls as Kiesha and Nina share a therapy session together that opens up old wounds.
Unfortunately, “Cassandro” sidesteps going too deep into any potential wound or struggle to give you a light-hearted drama that easily becomes dull due to its rounded edges.
In “A Haunting In Venice,” Hercule Poirot returns and makes it clear that, while the third movie starring the character, there is the potential for a James Bond-level number of movies starring lead and director Kenneth Branagh.
“What Happens In The Dark” shows some signs it could have been interesting, but instead, it is lukewarm thanks to a lack of information about what’s going on, how we got here, and who is dishing out the consequences.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages