Hot Girl Winter (2023) – Movie Review/Summary
In this holiday movie definitely just made for the adults, after feeling neglected by her husband, Mrs. Claus decides to head to Miami and let her friend potentially push her to do the unthinkable.
Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
In this holiday movie definitely just made for the adults, after feeling neglected by her husband, Mrs. Claus decides to head to Miami and let her friend potentially push her to do the unthinkable.
Christopher B. Stokes, with Marques Houston, bring you another film in their wheelhouse focused on cheating, secrets, and revenge.
Hasan Minhaj, thanks to locking up people’s phones, gets to be free to speak not only about that New Yorker article but also about race, politics (like Hunter Biden), and the experience of being a Muslim-Indian American.
“So Fly Christmas” doesn’t include that awkward gray between relationships, as it focuses on a friendship in which one half has been far more lucky in love than the other.
In an episode more dedicated to who is getting kicked than who is staying, it increasingly is hard to say if any of the ladies may find what they are looking for.
Ms. Pat does her best to deliver the type of Christmas she never got, and the audience is in for a Christmas episode only “The Ms. Pat Show” could deliver.
In this disaster movie, instead of action stars, we get leads known for their dramatic abilities who are tasked with surviving apocalyptic situations with none of them playing the role of the world’s savior.
“I Don’t Expect Anyone To Believe Me” is a bit of a sluggish film that tries to compensate by giving you violence and sexual situations, but its leads may not be enough to keep you watching for two hours.
“Genie” may focus on a father’s decline professionally and personally to begin, but once McCarthy shows up, it is no longer about that, and she steals the film.
This is a character guide for Hulu’s “Bllack Cake,” with character descriptions, quotes, names of actors, and more.
In the pseudo-season finale of “The Ms. Pat Show,” while things may end with a nice little bow, there is no denying that bow is a bit ripped at the seams.
As Ms. Pat addresses the Michelle situation, Denise ends up in some drama of her own that may require taking off her earrings and getting some Vaseline.
While Julianne Moore and Natalie Portman face off in ways that remind you of their most wicked characters, Charles Melton, trapped in the middle, finds room to have a remarkable performance, likely to shift his career.
“Dashing Through The Snow” doesn’t follow the usual holiday movie formula, thus requiring getting used to what it offers, which you could come to like.
“Wish” seems like it was made for Disney Plus as part of Disney’s 100th anniversary celebration, but someone had enough faith in it to garner a theatrical release.
As it becomes a serious question worth asking, if the numbers game will lead to the same problem the ladies had before, the ladies continue to be entertained but maybe not find “The One.”
“Rustin” depicts a civil rights icon in ways not seen since Denzel Washington played Malcolm X.
If you wanted violence, gore, and a villain whose madness is almost justifiable, “Thanksgiving” makes up for the rather tame offerings we got in October.
“Black Cake” potentially fills the void of having a drama focused on Black people and the Black experience without focusing on people living in an urban area or who are rich and are bickering over status and money.
As Brandon faces harassment from a parent, Terry is dealing with the same, but from the HR person at his job, who is crossing all kinds of lines.
While “Share?” may lack answers some people may crave from a film like this, it feels like a “Black Mirror” inspired movie that undoubtedly is enjoyable.
In one of Angus Cloud’s final movies, he plays a Fez-like character who ends up in a situation where you not only question if he may live but damn near everyone in the movie.
Janelle shows that her intelligence means nothing when crushing on a boy, as Terry repeatedly gets involved in Denise’s business and barely avoids awkward moments for her or himself.
As a casual Sci-Fi fan, “Scavengers Reign” is the type of show I’ve longed for as it doesn’t heavily rely on any of the usual tropes or graphics to hook you in. Instead, it is all about getting you invested in the world and the characters, as all shows should venture to do.
In the season, hopefully, not series, finale, one major problem is solved, but it seems the next is only so far from the horizon.
As everyone begins to converge at the Demeter, there is a question of who will leave, who will stay, and who may die before the finale scene of the last episode.
As many see the Demeter in the distance and see it as a means of hope and joy, we’re reminded that not all who seek it will make it there.
The ladies invite some “Ready To Love” alumni to help them make a choice on their keepers, and one seemingly forgot she isn’t on the show but is a guest.
Acting as a comedy, think piece, and a reminder of the power and dangers of the KGB, “Spain” excels in some ways but can seem to be word vomit in others.
While it does waste its lead’s personal story, it compensates with a cute romantic relationship as its centerpiece.
“It’s A Wonderful Knife” is a bit corny, undeniably bloody, but has a silver lining to it because of its supporting actors.
A summary of how “A Wonderful Knife” (2023) ended, its major storylines and whether a prequel or sequel is possible.
This is a character guide for Max’s “Scavengers Reign,” with character descriptions, quotes, names of actors, and more.
As we prep for the final stretch of episodes, we see yet another collision course with Kamen’s alien mother on the horizon.
As Sam shows signs of some form of mania, Azi has to learn how to deal with dynamics that don’t have her in a power position.
Azi may finally be rescued, but at a price. But, as Ursula learns, not all help received is from people with good intentions.
“The Tunnel to Summer, the Exit of Goodbyes” doesn’t overstay its welcome, and by getting to the point, getting you invested, teary-eyed, and sending you on your way, it is the best kind of entertainment.
Daisy Ridley continues to prove she’ll have a career beyond Star Wars as she plays the daughter of a kidnapping and murderer.
“Ready To Love: Make A Move” probably has the least dramatic episode of the franchise, even with tough elimination decisions.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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