Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
With a beautiful and balanced bond formed at the heart of the film, “Insomniacs After School” has less to deal with sleeping issues and more about reasons to be awake.
Blinded by a desire for revenge or answers, Mike and Higan walk into traps.
The getaway episode is one of the last themed episodes that usually create new couples and leads to people beginning to lock in – but not this season.
With losing all the people who empowered her in the first two seasons, Thony is nearly back where she started but being the underdog might be where she is most comfortable.
While DeWanda Wise delivers a notable performance, the story of “Imaginary” makes it for naught.
While Damsel has a lead and story that could have packed a punch, it avoids the sense of danger and triumph it could have, like Elodie does dragon’s breath.
As Colter takes on a case as a favor, “Tracker” shows how simplistic of a show it is, for better or worse.
“The Equalizer” continues to provide the type of guest stars you hope become reoccurring.
As Higan pursues a way to get into AUZA City, so rises the question of what might be accomplished in this season beyond vibrant fight sequences?
In the late 1980s, a non-binary person has just moved to Canada and while non-binary, they aren’t ace so crushes arise and sometimes makes things complicated.
While “Elsbeth” isn’t a new character due to the “The Good Wife” franchise, it stands out immensely due to a quirky lead who is the type of weird that seems genuine.
While a bit of a drag and having the feel of Oscar bait at first, by the end of the movie you’ll be in tears so bad the back of your throat will ache.
With engaging performances and the type of set design, lighting, and music to really get you into what’s happening on stage, “The Effect” is an experience that makes you question if you were slipped something.
Simone’s spirit refuses to die and even if Monica moves across the country, she seemingly will never escape Simone’s vengeance.
It’s time to meet the ladies’ exes and considering how this has gone in the past, the potential for drama is high.
As Alex gets to step out of Shaun’s shadow, Shaun finds himself experiencing the frustrations others had with him when he first started at the hospital.
What is Auza and who is involved with it is explored, as well as members of the Elite Ninjas.
As Robyn gets involved with a international jewelry heist gone wrong, Aunt Vi continues to struggle with the idea of Delilah joining the military.
Colter investigates the disappearance of Mia in Springland, Idaho, uncovering family secrets and coercing confessions. Read the review for highlights and insights!
“Mea Culpa” portrays the struggles of Mea, a defense attorney, balancing career success with personal turmoil amid family conflicts and a high-profile murder case.
As the guys have their friends meet the ladies, we’re reminded that this has been a staple of the series for a reason.
The final entry in the “Through My Window” franchise, “Through My Window – Looking At You,” might be the best one yet, partly thanks to the 2nd movie removing a certain character.
“Kemba” presents an important case highlighting how the NAACP, specifically the Legal Defense Fund (LDF), didn’t stop being assets after the 1960s.
“The Good Doctor” returns for its final season and as Shaun returns to work after Steve’s birth, so brews a major change for a few others.
Colter goes on another case, and as we get hints about his complicated family dynamics, we watch a passable episodic tale.
“The Equalizer” returns and pretty much undercuts everything we saw in the season 3 finale.
While “Ordinary Angels” isn’t firmly in the “faith-based” movie camp, it is undoubtedly a reminder that angels may appear in the strangest forms when you have reached a low point.
8 years since her last record, and 18 from her first, the evolution of Corinne Bailey Rae from a songbird to a genre defying singer was on full display.
With tapping into Higan’s origins and what organization is against him, it seems fears that “Ninja Kamui” would quickly lose its luster might be unfounded.
“Welcome Home, Franklin” does more than give Franklin Armstrong’s backstory; it reminds you of when you were young, yearning for a friend, and found that perfect person.
With a woman self-eliminating recently, Tommy decides it is time to even the numbers, meaning two men have to go home.
Seemingly inspired by Jennifer Lopez’s own journey to find her forever love, “This Is Me… Now” encapsulates Lopez’s past in a way that could cause mixed feelings.
“Players” has all the workings of a multi-season sitcom squeezed into a less than 2-hour movie.
With recently hitting 30, Taylor Tomlinson is past her quarter-life crisis, but even with great career success, she clues us into whether her personal life could catch up so she can have it all.
In this campy horror-comedy, a young woman who just immigrated to England, got dumped and, alongside her co-workers, decides to get playful revenge, but things turn deadly.
CBS introduces a new episodic show that follows the beat of many that came before it, and that could be what allows “Tracker” to become a mainstay or a show that soon fades into the ethos.
A revenge plot featuring what looks like humanoid ninjas, set in the near future, is what we’re introduced to in the premiere of “Ninja Kamui.”
“Skeletons In The Closet” may make you curious, thanks to the inclusion of Terrence Howard and Cuba Gooding Jr., but it lacks anything to justify your initial interest.
At a pajama party, everyone comes together for a game that goes a little too far.
