Amari is the founder and head writer of Wherever-I-Look.com and has been writing reviews since 2010, with a focus on dramas and comedies.
It’s time for a group date, and while there isn’t much in the way of jealousy, beyond one or two cast members, once again there is a difficult elimination since neither one likely is a desirable choice.
To some surprise, “Strays” not only delivers the kind of jokes and situations those who love politically incorrect comedy will enjoy but get dog lovers in their feelings.
This is a character guide for Crunchyroll’s “Undead Murder Farce,” with character descriptions, quotes, names of actors, and more.
This is a character guide for Netflix’s “Zom 100: Bucket List of the Dead,” with character descriptions, quotes, names of actors, and more.
“Fear The Night” is for those who want a simple action movie where you watch a woman whip a lot of ass without using a gun.
Rudy goes on his first date and has his first opportunity to have sex after what happened with Eris, but – things go awry.
While trying to figure out how to fill up his time, Akira decides to call an old friend who, surprisingly, picks up the phone! Unsurprisingly, however, he is in trouble!
In an episode primarily taking place in the Hori household, we watch the day and day out of Kyouko and Izumi’s relationship and learn how she and Kakeru are bonded, partly by their parents.
Tommy decides to add two new sexy singles into the mix, which causes some minor friction, but not enough to shake up who is likely to be eliminated next.
As more evidence is presented to narrow down who killed the lady of the house, Aya and Tsugaru are threatened based on even the hint of accusations.
As the kids continue to attempt to appeal to Aunt Julia, Laurel encounters a familiar face which makes going to New York worth it.
All the answers you could want regarding Conrad and Belly’s breakup are revealed, as well as what happened at Susannah’s funeral that had Belly make a fool of herself.
“Cobweb” has a wonderful mystery and build that it squanders thanks to its ending.
“Barbie” is a fun, often comical movie laced with a strong feminist message and depiction of what can happen if toxic masculinity and patriarchal views go unchecked.
As it still is teased what happened at Susannah’s funeral and what led to Conrad and Belly’s relationship ending, it seems the Conklin kids and Laurel hold themselves accountable for their parts in family drama.
“The Summer I Turned Pretty” cuts to the chase in its season opener, regarding Susannah, which is a little jarring considering her role in the show but sets the tone for the season.
Rudy meets an enemy who may not, yet, lay a hand on him, as one of his new friends are put in a life and death situation, with one not making it.
Akira embraces a full day off until he realizes he needs more beer, leading to him meeting his complete opposite.
While there is always talk about diversity, inclusion, and representation, Michelle Buteau has arrived to put all that talk into action.
While many competitions go down, it is Hori and Miyamura supporting one another despite being on opposite sides that becomes the most entertaining part.
While potential couples begin to form, a handful of cast members get into some drama as jealousy and defending their crush’s honor lead to flare-ups.
Giving you something different, “show” desires to give you someone jubilant about the end of the world rather than traumatized by it.
“Earth Mama,” lacking notable male characters, presents a different take on someone who is pregnant, experienced trauma, and is trying to move forward despite a slew of personal and external obstacles in her path.
As “Undead Murder Farce” becomes less about revenge for our leads but justice for other supernatural beings, it takes a curious turn that draws you in more.
While “Talk To Me” comes with graphic imagery and the occasional comical moment, the characters have hastened development which doesn’t really push you to care about who lives or dies, but rather how.
While flawed in more ways than one, “The Idol” does have a few silver linings which allow you to get through it – despite one notable, divisive performance.
We pick up where we left off with Rudy, and he is still down in the dumps until a life-or-death situation wakes him up from his stupor.
A story-driven, rewriting of history in which supernatural beings existed before 1900, and between a half-demon and an immortal girl, both seek revenge on a European who did them great harm.
While titled “Cooking Class,” the episode features all the prep for sports day, which will be featured in the next episode.
“The Lesson” is like a well-crafted book adaptation that knows when to progress the story and when to give its audience time to reflect, theorize, and then press on.
“Ready To Love” returns with its ninth group, and it seems the casting people have toned down the dramatic picks and got less socially awkward people. However, did they find at least six people who can form the final three couples?
“The Out-Laws” is a pleasant “watch because it is new, and you feel you’ve watched everything else” movie.
“Insidious: The Red Door” is a reminder of why it has been so refreshing for new horror movies to not only come out but also get a marketing budget so that you know they exist.
“My Eyes Are Up Here” presents to you a romance complicated by more than just someone’s personal baggage.
In this step-by-step short regarding an environmental apocalypse, a couple meets, reaches a high, and falls apart as their means of fighting what’s coming differs short term, and the long-term goal is unable to unite them.
Can you imagine, to hopefully have kids one day, having to go to a room where everyone knows what you are doing and… you know.
While comical in some ways, “Voice Activated” reminds you how much accessibility matters in the development of technology and patience when dealing with other people.
A young woman who has figured out a way to barely survive finds her estranged father at her doorstep, willing to offer help, but there is a question if old memories will impede forgiveness.
In a therapy session, Mara recounts all the people who have died she has grown close to and her anxiety that it could soon happen again.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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