Chambers: Season 1, Episode 1 “Into The Void” [Series Premiere] – Recap, Review (with Spoilers)
The best thing about Chambers will be its representation of Native Americans. As for the rest? Well, it may depend on how much you dig the horror genre.
With car chases, life or death moments, and usually someone driven to madness, the Thriller tag has productions featuring these kinds of thrills.
The best thing about Chambers will be its representation of Native Americans. As for the rest? Well, it may depend on how much you dig the horror genre.
While Burn Out has exhilarating races, which may give you a tad bit of anxiety, everything else is very run of the mill.
Cartoon graphics mix with life or death situations creating moments that make you hold your breath in Suits.
While the high that comes from the music and dancing is ecstasy, once the high comes down, Climax pursues shock value to keep you stimulated.
Happy Death Day 2U may feel like an unnecessary sequel, but it is nevertheless a fun time.
Hanna has decent action, and you may love Esme Creed-Miles as the title role, but it doesn’t have the same oomph as the movie.
Velvet Buzzsaw barely lives up to the expectations of what you expect from a horror, lacks the urgency of a thriller, and is mostly just posh art world drama.
Between Miss Bala being curbed to PG-13, and lacking shades of grey, while entertaining, it isn’t necessarily a must see.
Animas’ teen drama and psychological aspects, when combined, neither provides a quality thriller nor horror.
An Acceptable Loss builds upon the patriotism of movies released in the past and questions what is justifiable so Americans can feel safe?
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.