“Love Lies Bleeding” Pins Your Face Down in Its Madness
Writer and director Rose Glass flexes her pulp chic muscles in “Love Lies Bleeding.”
Writer and director Rose Glass flexes her pulp chic muscles in “Love Lies Bleeding.”
“Knox Goes Away” is a shakeup to the formula that was set by Liam Neeson’s recent filmography and is rarely challenged.
Like working an actual night shift, the horror movie “Night Shift” starts as fun but becomes a chore to get through.
Let Julio Torres’ “Problemista” shower you in its surreal depiction of our very real struggles.
“Mea Culpa” portrays the struggles of Mea, a defense attorney, balancing career success with personal turmoil amid family conflicts and a high-profile murder case.
“No Way Up” feels like a fine survival drama trapped in a B-movie shark thriller.
While “Upgraded” is predictable and doesn’t pursue standing out, it is enjoyable if you allow it to be.
While it hones in on the comedy, “Scrambled” also recognizes the societal pressure to have kids and a family, and having things figured out by a certain age can trigger a meltdown.
Jenna Ortega matches wits with Martin Freeman, in a movie that has them blur the lines between student and high school teacher.
“Beautiful Wedding” exists because there is an audience more than it has any desire to move the story forward or mature its characters.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.