All Fun and Games (2023) – Review/ Summary
With a “Sex Education” and “Stranger Things” alumni, and the Russo Brothers as executive producers, this had to be good… right?
With a “Sex Education” and “Stranger Things” alumni, and the Russo Brothers as executive producers, this had to be good… right?
“#ChadGetsTheAxe” harnesses the idea of an influencer in a horror movie in ways that have yet to be done at this level – and it is probably one of the best digital releases of the year.
A cunning 12-year-old, living on her own, meets her father finally, but only after her mother dies.
While “Mad Fate” is bizarre and makes an effort to keep up a high level of energy as you are led to wonder when, or if, its lead may snap and kill again, after a certain point, it becomes a bore.
A mother starting over after a divorce finds herself enamored by a young girl with a heartening story who is homeless. Thus she takes her in and finds a renewed energy in her household.
“Susie Searches” struggles due to letting you in on the secret that the film is about.
“Fear The Night” is for those who want a simple action movie where you watch a woman whip a lot of ass without using a gun.
“My Eyes Are Up Here” presents to you a romance complicated by more than just someone’s personal baggage.
In this step-by-step short regarding an environmental apocalypse, a couple meets, reaches a high, and falls apart as their means of fighting what’s coming differs short term, and the long-term goal is unable to unite them.
Can you imagine, to hopefully have kids one day, having to go to a room where everyone knows what you are doing and… you know.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.