You Get Me – Summary/ Review (with Spoilers)
You Get Me isn’t as bad as you may have assumed. However, it will likely end up just another random title on Netflix in time.
In this tag, you’ll find all the productions which were available on Netflix’s platform when they originally premiered.
You Get Me isn’t as bad as you may have assumed. However, it will likely end up just another random title on Netflix in time.
What hooks you as being a look into the Gawker v. Hulk Hogan case evolves into a warning message. A very familiar one not just about the elites bullying the press, but how Donald Trump is poison to the American democracy.
Glow is still struggling but is getting better. Mostly thanks to Cherry becoming more prominent as well as Melrose.
Glow doesn’t seem like a sure fire hit. If anything, like its wrestling theme, it’ll fit a niche. As for whether it is a big enough niche for Netflix to make another season? Well, let’s check out the rest of the season before saying that.
And so Crashing comes to an end which arguably can work as both a season and series finale. Even though one semi-major question is left unanswered.
As Kate and Anthony reach a new openness in their relationship, the various other relationships of the show continue to grow stronger.
During a dinner party, Lulu initiates a lot of conflicts, with some help from Sam. Making it so almost everyone shows their ass before the night is over.
In episode two, you’ll still feel like you’re warming up to the characters. However, as they make you laugh, and not just Lulu, they begin to really grow on you.
After Fleabag, there was the question of where Phoebe Waller-Bridge would take her talents to next. The answer? Crashing.
Sarah Silverman is the type of comedian who definitely isn’t everyone’s cup of tea. Yes, she is/was popular enough to have her own show. However, she isn’t the type of comedian who gets their own movies. Which is fine since she is at her best in supporting roles, see A Million Ways To Die In…
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.