Tick, Tick… Boom! (2021) – Review/ Summary (with Spoilers)
Tick, Tick… Boom! is a love letter and a piece of encouragement to any creative who feels their youth is fleeting and their chance to make it alongside it.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Tick, Tick… Boom! is a love letter and a piece of encouragement to any creative who feels their youth is fleeting and their chance to make it alongside it.
Split between 25 years, we explore the lives before, during, and after a traumatic plane accident that left a New Jersey town soccer team doing what they had for survival.
While many may find the hook to be Lucy Hale in a police drama, believe me when I say the murder mystery, and all that’s behind it, is what makes you stick around.
The voice presented in Reasons pulls you between wanting a full-length movie focused on Mercy’s story and/or a series.
Prayers For The Stolen presents the fears involved when a lurking presence can, at any moment, rob you of your autonomy and joy.
Therapy is the kind of short that just starts getting good when it ends.
The Little Death chronicles the heartbreaking story of one couple trying to get pregnant and the test it presents for their marriage.
Despite a rather interesting premise, The Last Days devolves into a simple poem that acts as a reminder of racial injustice for Black people in the UK.
If you ever wondered what How To Get Away With Murder would be like if it lowered its moral standups and upped the sexual content, you’d get Lace.
If there was ever a reason to go to the movies, it would be for Last Night In Soho just because it tries to do so much, and surprisingly gets it right.
More Happiness is a bit strange and doesn’t really venture to demystify itself.
While at times excruciatingly dull, Kristen Stewart’s transformation, paired with the psychological aspect of being a public figure who is isolated and controlled, saves Spencer.
Throw three monologues, we recount how a young man named Matthew found strength in community, through his Grandmother and eventually, himself.
The Harder They Fall will remind you why westerns were once the most popular film genre and pushes Jeymes Samuel to potentially be this generation’s Quentin Tarintino.
I want you to imagine the intensity in Black Swan mixed with Whiplash, and in that volatile mix, you’ll get Isabelle Fuhrman in The Novice.
While Under My Skin may make you question “Where is this going” and “Why are four people playing one person?” you never get bored.
Sweetheart may not craft the best conflicts or resolutions, but it excels when it comes to teen romance and family dynamics.
As On My Block prepares to become Freeridge, we get one last season with the OG characters, and, for the most part, they will be missed.
In this pop epic, don’t expect much in the way of acting – it’s all about the visuals and music.
You may think this is yet another reborn into a fantasy world anime, and you’d be right. However, this one has a far more interesting protagonist than most.
Irina: The Vampire Cosmonaut starts its season with a bit of information overload, but once the introductions stop, the fun begins.
Be Good hyper focuses on the experience of having an eating disorder while making its character solely a vehicle for the depiction.
Americanized explores that longing for community, especially when you don’t perfectly fit in with any you identify with.
In this music video, you get a sad, animated story that illuminates the lyrics of Sting’s “Inshallah.”
Reservation Dogs makes a name for itself through eccentric characters and scenarios and bringing a sense of community that is shown for better and worse.
Mr. Corman is perhaps the most uncomfortably relatable show about millennials I have ever seen.
Apart, Together is a touching story focused on a woman looking for the daughter she was forced to give up.
In The Black Disquisition, a young man recaps the moment his parents had to tell him what it means to be Black, and the journey to find Black to be beautiful
Once again, Fantasy Island returns, but this incarnation has women as the lead, strips away the horror element, and tries to bring something new to the formula.
Dear White People ends triumphantly for most, as we not only get to see how senior year went but get an idea of what the future holds.
Outsiders try to infiltrate high society with the goal of not only fitting in but learning the truth and potentially revenge – what more can you ask for?
With the introduction of two non-binary characters, Sex Education continues to explore the complications of relationships beyond the drama we’ve all grown used to.
What She Said presents a broad focus on rape as it covers how the survivor feels, those who were there, and what should be done throughout the aftermath.
The Eyes Of Tammy Faye reminds you how those who seek money and power exploit and tarnish those who have faith in God.
With one shock after another, The Voyeurs deserves to be part of a group movie night so you and your friends can share your reactions in real-time.
Time Is Up misuses its time with a story that is overdramatic and contains lukewarm dialog and performances.
Zone 414 may have all the fixtures of an intriguing sci-fi mystery, but it fails to live up to its potential.
While the white girl jokes do get excessive, She Ball does make valuable points if you can get beyond its humor.
Thanks to a time jump that isn’t adequately reconciled, combined with diminishing the role of most characters, David Makes Man strips away a lot of what made you a fan in the first season.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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