Invader ZIM: Enter the Florpus (2019) – Summary, Review (with Spoilers)
In many ways, Invader ZIM: Enter the Florpus is but an epilogue to the show which does leave room for a reboot but makes for grand finale.
In many ways, Invader ZIM: Enter the Florpus is but an epilogue to the show which does leave room for a reboot but makes for grand finale.
Sextuplets is made strictly for fans of the comedic style Marlon Wayans has had since the 90s. Which is in desperate need of an update.
Where’d You Go, Bernadette explores what it means to lack an outlet and not be surrounded by people who try to understand you but want you palatable.
Good Boys is a hilarious take on what Gen-Z boys maybe going through, and may come off as exploitative of children as films vying for an Oscar nomination.
While season 3 of Claws may feel formulaic as a whole, being able to note the growth of each character since season 1 compensates for that immensely.
The Art of Racing In The Rain, gives us a more mature version of the dog movies which often are more so geared to kids and being cutesy.
While Otherhood’s exploration of mother/son relationships plays out too silly to be taken seriously, there remains enough heart to make it worth checking out.
The Boys gives us Greco-Roman style god-like heroes, and reminds us of the dark side the MCU and DCU don’t show.
The Farewell is a classic. An undeniable, this deserves any hype it gets, needs to be used as an example in film study classes, kind of classic.
Family Reunion tries to tap into the vibe classic late 90s/00s sitcoms had and tries to modernize the feel to, sometimes, mixed results.
While Summer Night may feel like it has one too many relationships going on sometimes, you’ll find yourself invested in the happiness of nearly every character.
A Certain Scientific Accelerator won’t blow you away, or seem like a must-see anime, but if you got nothing else to watch, it’s worth spending time with.
Stuber doesn’t have franchise potential, but Kumail Nanjiani and Dave Bautista have enough chemistry to make it a good one-time collaboration.
Family Reunion is reminiscent of old school sitcoms in all the best ways.
Dr. Stone is an odd comedy which sets an interesting foundation, but it’s hard to say what it’s long term potential might be.
Yesterday harnesses the nostalgia which comes from listening to The Beatles to deliver a rather awkward, if not one-sided and uncomfortable love story.
Vs. is a surprisingly speedy drama which comes in, gets you emotional, shocks you with the rhymes the lead actor spits, and sends you on happy and satisfied.
The Bold Type remains a flagship program for FreeForm as it explores mature takes on relationships, continues to develop the ladies, and addresses workplace issues.
Despite seeming like a horror film, one which pushes you to expect the worst, Whiteout is surprisingly a really good comedy.
Featuring Trinkets star Brianna Hildebrand, Momster seems less like a short and more like an extended clip from a finished movie – in a good way.
Snaggletooth was the overall best short of the WTF series and the reason why we’re breaking out many of the top shorts from TFF 2019.
In one movie, Child’s Play (2019) does what the original franchise consistently attempted to do: Be both horrifying yet comical.
UMC (Urban Movie Channel) announces acquisition of Coke Daniels’ His, Hers and The Truth with a December release date on the service.
From what it appears, this book adaptation could become one of Netflix’s newest YA hits – if it plays its cards right.
Murder Mystery is probably the best Adam Sandler comedy in years, at least in terms of story.
Shaft (2019) somehow balances being modern, funny, old school, and a bad mother****er without losing a beat or pushing you to check your watch.
Just in time for Pride, we get a large ensemble cast depicting nearly every bit of the rainbow from orientation, gender identity, and also ethnicity.
A new serial killer is born and this one wasn’t created thanks to a bunch of teens, but due to a handful of drag queens.
With Alex Lawther’s charm not fully engaged, Old Boys makes it difficult to invest in his character, or any others, and becomes draining.
Oh, Ramona! has a mini-series vibe which makes the movie, while enjoyable, feel long.
Always Be My Maybe is definitely longer than it should be, but that doesn’t take away from the light comedy, cute romance, and moments which may make you tear up.
Years and Years may potentially be one of the most memorable shows of the summer, if not the year.
Late Night attempts to address ageism, racism, and sexism, while still being funny, and throwing in a bit of romance, and buckles under such lofty goals.
Thanks to a slight 80s vibe, and the chemistry of the cast, Rim of the World is an entertaining feature which definitely is in tune with Netflix’s brand.
While an absurd comedy, Loners contains just enough heart, and twists, to see you through until the end.
Once Sykes gets past the obligatory Trump commentary, she finds a really good groove. But does she make this feel like a special?
Live in Front of a Studio Audience: Norman Lear’s “All in the Family” and “The Jeffersons,” brings on the nostalgia and, for the most part, revives the spirit of the source material.
It’s Bruno certainly has its moments, but without much in the way of character development, is it worth watching?
Similar to BONDiNG, It’s Bruno is an offbeat comedy which produces a few chuckles and a few raised eyebrows.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages