The Adams Family (2019) – Movie Summary, Review (with Spoilers)
While as campy as an Adams Family movie should be, in trying to be modern and hip, this entry performs an exorcism on the spirit of the franchise
While as campy as an Adams Family movie should be, in trying to be modern and hip, this entry performs an exorcism on the spirit of the franchise
Jexi, while hilarious, may also make you want to set up boundaries with your AI assistant. Just as a precaution.
Abominable may appeal to kids more than adults, but there will be a handful of moments keeping you from using the movie to take a nap.
Under the Eiffel Tower has the chemistry needed to become invested in the needs, but the story presents too many obstacles just to enjoy two people falling in love.
First Wives Club begins with lots of star power and comical moments but asks of you time to be what you may have expected.
Snatch up some tissues and get your favorite comfort food prepared, The Wedding Year is going to handle your romantic comedy fix.
A character guide for BET+’s Bigger featuring cast members names, character descriptions, storylines, and other noteworthy information.
Bigger, with former Girl Code star Tanisha Long, presents a good start for BET+. But is it worth staying beyond the free trial?
If you can get past the funky art style of Undone, you may want to stick around for its story and characters.
While The Weekend presents a unique character in Sasheer Zamata’s Zadie, you may struggle to connect with her, or the film as a whole.
Hustlers not only proves Constance Wu’s star power, but why Jennifer Lopez has been in the entertainment business for decades.
3 Days With Dad may not be the gut punch you’d expect from a film about a dying father, but it makes for a decent coming of age tale – for a grown man.
68 Kill is a bloody, sometimes comical, all the time ridiculous film that will consistently lead you to wonder: How can they top that?
Hot Air is a reminder that beyond the often toxic political dichotomy of American society, there are real people who, sometimes selfishly, just want better.
Ready or Not closes summer 2019 as one if the best films of the summer, and will likely be one of the top horrors of the year.
In many ways, Invader ZIM: Enter the Florpus is but an epilogue to the show which does leave room for a reboot but makes for grand finale.
Sextuplets is made strictly for fans of the comedic style Marlon Wayans has had since the 90s. Which is in desperate need of an update.
Where’d You Go, Bernadette explores what it means to lack an outlet and not be surrounded by people who try to understand you but want you palatable.
Good Boys is a hilarious take on what Gen-Z boys maybe going through, and may come off as exploitative of children as films vying for an Oscar nomination.
While season 3 of Claws may feel formulaic as a whole, being able to note the growth of each character since season 1 compensates for that immensely.
The Art of Racing In The Rain, gives us a more mature version of the dog movies which often are more so geared to kids and being cutesy.
While Otherhood’s exploration of mother/son relationships plays out too silly to be taken seriously, there remains enough heart to make it worth checking out.
The Boys gives us Greco-Roman style god-like heroes, and reminds us of the dark side the MCU and DCU don’t show.
The Farewell is a classic. An undeniable, this deserves any hype it gets, needs to be used as an example in film study classes, kind of classic.
Family Reunion tries to tap into the vibe classic late 90s/00s sitcoms had and tries to modernize the feel to, sometimes, mixed results.
While Summer Night may feel like it has one too many relationships going on sometimes, you’ll find yourself invested in the happiness of nearly every character.
A Certain Scientific Accelerator won’t blow you away, or seem like a must-see anime, but if you got nothing else to watch, it’s worth spending time with.
Stuber doesn’t have franchise potential, but Kumail Nanjiani and Dave Bautista have enough chemistry to make it a good one-time collaboration.
Family Reunion is reminiscent of old school sitcoms in all the best ways.
Dr. Stone is an odd comedy which sets an interesting foundation, but it’s hard to say what it’s long term potential might be.
Yesterday harnesses the nostalgia which comes from listening to The Beatles to deliver a rather awkward, if not one-sided and uncomfortable love story.
Vs. is a surprisingly speedy drama which comes in, gets you emotional, shocks you with the rhymes the lead actor spits, and sends you on happy and satisfied.
The Bold Type remains a flagship program for FreeForm as it explores mature takes on relationships, continues to develop the ladies, and addresses workplace issues.
Despite seeming like a horror film, one which pushes you to expect the worst, Whiteout is surprisingly a really good comedy.
Featuring Trinkets star Brianna Hildebrand, Momster seems less like a short and more like an extended clip from a finished movie – in a good way.
Snaggletooth was the overall best short of the WTF series and the reason why we’re breaking out many of the top shorts from TFF 2019.
In one movie, Child’s Play (2019) does what the original franchise consistently attempted to do: Be both horrifying yet comical.
UMC (Urban Movie Channel) announces acquisition of Coke Daniels’ His, Hers and The Truth with a December release date on the service.
From what it appears, this book adaptation could become one of Netflix’s newest YA hits – if it plays its cards right.