Catherine, Called Birdy (2022) – Review/ Summary (with Spoilers)
While “Game of Thrones” is considered Bella Ramsay’s breakout role, Birdy has given proof that Ramsay can and will have diverse stardom.
While “Game of Thrones” is considered Bella Ramsay’s breakout role, Birdy has given proof that Ramsay can and will have diverse stardom.
“The Resort” may not have the best payoff for its central mystery, but the relationships between the characters might save it for you.
“Goodbye, Don Glees!” is a coming-of-age story that takes longer than it should to hook you, but once it has you, you’re attentive.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
“About Fate” is a cute and simple romantic comedy with minor dramatic elements that has the potential to make you swoon a bit.
“Who Invited Them” reminds you of the dangers of having a house party where anyone could step into the place you call home.
“Three Thousand Years of Longing” is mainly about a Djinn’s attempts at love and freedom over three thousand years.
“Mike” is so good that it is unfortunate that it doesn’t involve or is supported by Mike Tyson.
Season 2 of “P-Valley” does not experience a sophomore slump as it cuts away from its less interesting characters and doubles down on the ones who’d bring you down to the valley.
“Baby Assassins” has the vibe of a zany anime that got a live-action adaptation and kept the eccentricities of its cast.
In the second season of “The Ms. Pat Show,” you get what is expected, mostly in good ways, but like its first season, it doesn’t necessarily end on a high note.
“Mack and Rita” reverses the de-age trope and shows getting older is a blessing and underrated privilege.
When “Easter Sunday” strips away the fat and focuses just on the complicated dynamics families can have, it becomes a pleasure to watch.
“Bodies, Bodies, Bodies” satirical take on Gen Z/late Millennials will leave you giggling and potentially forgiving its ending.
“Bullet Train” reminds you not only of Brad Pitt’s star power but also how action at its best is done in close quarters.
“Don’t Blame Karma” is comical at times, but the romance it wishes to explore and the drama which creates the comedy and complicates the romance is disappointing.
With the star power of Angourie Rice, “Honor Society” becomes far more than a tale about a malicious overachiever trying to get the hell out of her small town.
“Not Okay” may star Zoey Deutch and feature her on the poster, but Mia Isaac’s performance and character becomes the shining star.
In this dramedy, an act of revenge becomes a lucrative business that may not test friendships but does lead to unexpected consequences.
“Anything’s Possible” is a cute love story that knows to get specific about its lead’s experience when it matters.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.