Intermedium (2019) – Review/ Summary (with Spoilers)
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
“Trixie Mattel: Moving Parts” will remind you of a time when documentaries gave you the behind the scenes look that social media snatched away.
While “Go Back To China” may come off as some silly or light-hearted, as it touches upon Chinese culture and family, it goes so deeper than expected.
“Self Made: Inspired By The Life of Madam C.J. Walker” has the performances and inspirational story you expect, but also the kind of drama which keeps this from being seen as prestigious.
While the development of Jasmine is ace this season, the other elements of season 3 of “On My Block” are frustrating, inconsistent, or feel like a repeat of the past.
“Stargirl” in depicting what happens when you allow yourself to be what others want, brings about one of the best family appropriate live-action films from Disney in ages.
While not the best bit of social commentary you may hear, “The Hunt” is comical and has one of the best fight scenes you may have seen in a while.
“Breeders” is a candid portrayal of parenting – in terms of children being little menaces who you could imagine your partner offing.
All The Bright Places fulfills your need for butterflies and tears, as most YA novel adaptations do.
After proving herself to be able to carry multiple films, even if they are meh, “I Am Not Okay With This” allows Sophia Lillis to be in her element and kick ass.
“The Thing About Harry” brings us beyond gay couples dealing with trauma and the dramatics of the first time. It’s just about the awkwardness of love.
Zoey Kravitz’s “High Fidelity” may not have too much of a hook beyond herself and Da’Vine Joy Randolph, but that might be all it needs.
Through its exploration of marriage and relationships, after the honeymoon phase, “Stuck With You” explores that period between wanting to leave but not lose your investment.
While a bit longer than it needs to be, “To All The Boys: P.S. I Still Love You” will stir up your emotions just like the first film.
“Timmy Failure: Mistakes Were Made” is reminiscent of the DCOMs Disney used to produce, but now aimed for a younger generation.
“Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)” is part origin story, part reintroduction, and is of the ilk of Marvel’s “Deadpool.”
In a film fit for Valentine’s Day, “What Love Looks Like” brings us the beauty of love as it begins and the mourning period when it is at its end.
“Troop Zero” will have you ugly cry in the way Viola Davis is famous for as you follow Christmas Flint’s journey to becoming permanent.
“Everything’s Gonna Be Okay” presents the idea FreeForm can still be groundbreaking without necessarily being political.
Despite the time gap and this being the third entry into the franchise, “Bad Boys For Life” brings you what you’d want, what you’d expect, but not much more.
“Weathering With You” like “Your Name.” plays with your emotions, skips certain details, but is ultimately worth the price to see.
“In/Spectre” tries to have romance, gore, comedy and the supernatural all in one, but it is hard to say it ever perfectly blends the three together.
“High School Musical: The Musical: The Series” is a showcase of Disney’s up and coming talent beyond what we’ve previously seen.
“Zoey’s Extraordinary Playlist” is beyond being another musical comedy, it will make you Kerry Washington style, lip tremble, cry.
Between a man with Alzheimer’s trying to see his first love and his granddaughter who keeps the core family together, you will be in your emotions.
“Ana” is a cute movie that further proves Dafne Keen, of “Logan” and “His Dark Materials” fame, is likely to be first billing for decades to come.
“Always A Bridesmaid” is everything you could want and more from a romance film.
Spies In Disguise may come off like a kid’s movie, but luckily it remembers who is the person paying for the tickets.
For those who are fans of the Viziepop demon motif, something a bit more child-friendly is released – if your children are into monsters.
It really is a shame A Rainy Day In New York will struggle to find distribution in the US. For while not Allen’s best work, it is still entertaining.
With a change in one-half of the shows, and no crossing over, is the newest entry of Live In Front Of A Studio Audience as good as the first?
Michael Bay’s love for explosions and expensive action scenes mixed with Ryan Reynolds’ humor is a match made in big-budget heaven.
Jumanji: The Next Level’s desire to go beyond being a fun action-adventure, and have some form of emotional depth, makes its 2-hour run-length a drag.
Into The Dark: A Nasty Piece of Work is likely one of the best entries into the series in a long time.
Once the film tones down the “Take Down The Patriarchy!” talk, you get a decent holiday movie with lots of awkward relationships and some cringey moments.
Merry Happy Whatever is an ode to those who hate their in-laws and how their spouse changes when around them.
Holiday Rush just as much will get you into the holiday mood, as it may push you to recognize the people who helped you make it to the end of the year.
Anne With An E proves itself to be a rare breed by maintaining its quality over three seasons, while still developing its characters and expanding its cast.
Medrano solidifies her brand as a dark comedy animator with Helluva Boss, a workplace comedy.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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