Most of the episode deals with Meteora theorizing how the creators can change their creations, creating quite the boring experience.
While the focus may be getting a dress to a bride on time, the real thing to look out for is how much Sophia is in need of some affirmation and affection.
Andi keeps pushing to find out who her dad is but Bex remains cagey. Meanwhile, both Buffy and Cyrus may have a date in their future.
Sand Castle doesn’t do anything new or thought-provoking with the war genre. It just reminds you of the trauma both sides go through.
As the angels begin their search for the holy child, Charioce seeks to end the legend of the Rag Demon.
Shane and Sophia go out on a fajita date. One in which she gives him a tour of San Francisco as she tries to think of a name for her ebay shop.
As Sophia gets a little ahead of herself based off having one profitable sale, she learns one of the first problems of running your own company – Not having Health Insurance.
I won’t say Girlboss is going to be Netflix’s next big hit, but it definitely does show that the network is dedicated to diverse depictions of [note]white[/note] women.
In this episode, we begin down that “You’ve changed” road when it comes to Paige and Nina is bending over backwards as Alan threatens her job and she has to deal with one of Jordan’s issues.
How Triumph stays afloat gets revealed, Zora returns to the show in time for Sophia’s birthday, and Kevin and Charity’s divorce starts to get ugly.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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