The gods have had enough, and they believe El can turn the tide. So with Charoice refusing to bend the knee, so comes a declaration of war.
And so Crashing comes to an end which arguably can work as both a season and series finale. Even though one semi-major question is left unanswered.
Sam topples a slew of dominoes leading to a massive fight. Alongside that, Colin makes a discovery which rocks his relationship with Melody.
Rough Night delivers on the laughs but pretty much flops story wise, character development wise, and its heart is as mechanical as Dick Chaney’s.
A lot of musicians try to hold out for a theatrical release. For while The Temptations and surely the New Edition movie set precedents on the silver screen, there is nothing like your life story on the big one. However, while many have to remind the masses why their story matters that isn’t the case…
With Bobby not wanting to go out with Maxine’s friend, because the family thinks she is unattractive, so begins another Maxine vs. the family moment.
As Kate and Anthony reach a new openness in their relationship, the various other relationships of the show continue to grow stronger.
Solidarity is what causes and maintains revolutions. But for solidarity to sprout there needs to be one voice. One refusal to the oppressor. Which is what we get in The Handmaid’s Tale finale: “Night.” Trigger Warning(s): Cutting open of flesh
During a dinner party, Lulu initiates a lot of conflicts, with some help from Sam. Making it so almost everyone shows their ass before the night is over.
Thankfully the show doesn’t drag out Maxine’s faux-coma, but it is starting to lose a little of its luster.
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