HoriMiya: Season 2/ Episode 10 “Jealousy” – Recap/ Review
As the second season enters its final episodes, we get an episode that feels more akin to what we got in season 1, as Hori’s insecurities and violent nature are displayed.
As the second season enters its final episodes, we get an episode that feels more akin to what we got in season 1, as Hori’s insecurities and violent nature are displayed.
In a mostly slice-of-life episode, we’re reminded of Rudy’s daily routine. But, with him, once again, questioning his feelings for Sylphie, it seems we’re starting to get to the point where he wants to act on what he feels.
It’s Valentine’s Day, and for Sawada, Hori, and Miyamura, it means coming up with something good for their favorite person – and Sawada maybe making a new friend.
Lee Whittaker’s “The Vigilante” is a timely action story about hunting down child traffickers. But it’s heavy on the action and less on the story.
Denzel Washington makes what is likely to be his final return to “The Equalizer” franchise, and while he shows he still has it, the film doesn’t present much to show why this film needed to become a trilogy.
With a “Sex Education” and “Stranger Things” alumni, and the Russo Brothers as executive producers, this had to be good… right?
This episode is a major turning point as a new character is introduced, we say goodbye to another, and with the kids graduating high school, the question of what’s next for them.
As the getaway ends, and the ladies have the power to eliminate, it seems to come down to who the first choice is and their backup plan.
“The Nun II” reminds you that it isn’t just Disney and the Marvel Cinematic Universe that milks its franchises past its prime – the horror genre has been doing that since its inception.
“Twisted Marriage Therapist” may give itself away with its title, but there are periods in it where it offers more than the usual.
“Sitting In Bars With Cake” will push you to be grateful for your best friend, or closest friend, as you watch two best friends hit many monumental moments – of which not all are positive.
“Midnight Hustle” may not tap into its full potential, but what it does offer someone may find interesting.
“Slotherhouse,” like most horror comedies, are enjoyable as long as you can embrace how ridiculous it is for if you look past the superficial, there isn’t much there.
What made Shizuka so cold towards Akira and what eventually led to her warming up to him is revealed as Kosugi tries to sway Akira to stay in his encampment forever.
Fares Fares writes, directs, and stars in “A Day and a Half,” a white-knuckle powerhouse drama that shouldn’t be missed.
As Sylphie continues to wrestle with her feelings, she introduces Rudy to someone of his past who causes him to have a dramatic and visceral reaction.
As prom comes around, it means some of the teens getting a break from the drama, but some really just can’t escape it. Meanwhile, the adults who have connections with Douda continue to question how much of an asset he can be.
As one final couple seems to be secured, everyone else either seems to be blind to who is not interested in them or are struggling with the idea choosing who is left.
Netflix’s “One Piece” adaptation is like Iñaki Godoy’s Luffy: scrappy, energetic, and underdog to cheer for. Newcomers and fans should take this voyage together.
“#ChadGetsTheAxe” harnesses the idea of an influencer in a horror movie in ways that have yet to be done at this level – and it is probably one of the best digital releases of the year.
On August 29th, director and writer Gareth Edwards hosted a Q&A which featured three exclusive scenes from the upcoming “The Creator.” Here you’ll find information about the scenes and highlights from the Q&A.
A cast and character guide to Netflix’s great “One Piece” adaptation.
Lisa Arnold and Kate Larson’s “Into the Spotlight” is cheerful and sunny even in its darkest moments, but the movie spreads itself thin and doesn’t explore its key ingredients in enough detail.
A man as aggressive as Wayne comes into Jazzy’s life, but is his charm strong enough to undo Wayne’s spell?
“Deltopia” may be the least fun movie about a party that I’ve ever seen, and writers Michael Easterling and Jaala Ruffman make college seem like a place you never want to go.
Jazzy continues to let Wayne play in her face and question if she should stay or go, thanks to some sweet words and gifts.
Jazzy introduces Whitney, Wayne’s fiancée, and breaks down the rise and fall of that relationship.
A familiar face, once again, comes back into Akira’s life, but this one doesn’t bring fond memories.
For those who might have been uncomfortable with the last two episodes, rejoice! While Rudy does have perverted moments, this episode is more dedicated to his strength as he takes on multiple duels.
A cunning 12-year-old, living on her own, meets her father finally, but only after her mother dies.
The kids’ favorite perverted teacher, Yasuda, is focused on.
It’s time for the ladies to have the men meet their best friends, and if you’ve been watching closely, the problems you’ve been peeping finally get realized by the cast.
“ReUp” delivers a strong sense of community as people lean on each other to celebrate the good times and have some minor drama.
“Caught Up” undoubtedly feels like a Tyler Perry production, but also a bit of counter-programming compared to the many urban dramas out there.
“Retribution,” without question, is very on-brand for Liam Neeson, but with his character stuck in a car and not fighting anyone, he channels his trademark intensity in a different way.
Max Gold’s “Belle” is a beautiful and violent adaptation of “Beauty and the Beast” that creates its own individual magic by the end.
This is a character guide for Netflix’s “The Chosen One” with character descriptions, quotes, names of actors, and more.
As to be expected, “The Chosen One,” after a rather ho-hum season thus far, pulls out all the stops for a notable finale that makes it seem things are only getting started.
“The List” is a simple, cute, though sometimes uninspiring romantic comedy.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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