Prodigy (2018) – Recap/ Review (with Spoilers)
Prodigy, through simplicity in setup, allows young actress Savannah Liles to shine as she plays off veteran Richard Neil and give us a layered performance of a 9-year-old sociopath.
Whether you’ll have to go to the movies, download or stream, movies of this category are worth your time and money with few, if any, qualms from us.
Prodigy, through simplicity in setup, allows young actress Savannah Liles to shine as she plays off veteran Richard Neil and give us a layered performance of a 9-year-old sociopath.
Hawking is excellent if curious, though it can be a bit overwhelming.
Like Someone in Love easily could be seen as a very confusing film, if you forget what the film’s title is.
Game Night isn’t the funniest comedy you’ve ever seen, but probably has one of the best storylines in recent memory.
Not since Angels in America have I seen something which has combined the devastation of AIDS with the reminder that those HIV+ are still capable of living beautifully vibrant lives.
Between having a sense of culture unlike the rest of the MCU, one of the best villains, female characters who are far beyond being simply love interests and so much more, Black Panther puts the rest of the universe on notice.
Revolting Rhymes may begin with a PBS Kids logo but more so is geared toward early teens who want a slightly darker version of childhood fairy tales.
Whitney Cummings proves that it isn’t just male comedians who find a second life and flourish by taking on a dramatic role.
What Seeing Allred presents is that it isn’t just the court in a courthouse which matters, but the court of public opinion.
Paperback will have you questioning your beliefs on marriage and relationships as you laugh at and with its lead character.
The legendary beast returns in Godzilla: Part 1 “Planet of the Monsters” and Netflix, arguably, gives the monster it’s just due.
Saturday Church may have hit or miss musical elements, but Luka Kain and company present a film which sets a precedent for the upcoming Pose to follow.
Freak Show moves past your usual coming-out story and focuses on how to gain tolerance or acceptance, thus presenting a more interesting narrative than often seen in LGBT-focused films.
The Commuter may just be the film which defies the idea January is a dumping ground for movies not bound for the Oscars.
The Light of the Moon presents a layered, multi-faceted look at the life of a rape survivor and how that assault changed nearly everything in her life.
Happy Death Day is a surprisingly good horror movie, until the killer and their motive is revealed.
Setting aside Louis C.K.’s public issues, arguably the film presents a rather interesting and timely conversation about women’s autonomy and consent.
What Smith has brought to the action genre is mixed with Edgerton’s dramatic chops, making for a film which feels like a blockbuster oddly released online rather than in theaters.
The Greatest Showman is the type of musical which is worth repeat viewings and one you can see make an inevitable move to Broadway.
The Shape of Water will remind you of the days when fantasy films weren’t made to set up trilogies but simply tell a stand alone, gorgeous story.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.