Jigsaw – Recap/ Review (with Spoilers)
From what it appears, Jigsaw is a reboot of the SAW franchise – but a bit less gruesome and with less interesting “victims.”
While one or two elements kept us going until the end, unfortunately, we’re of the opinion this film never reached the potential it was marketed to have.
From what it appears, Jigsaw is a reboot of the SAW franchise – but a bit less gruesome and with less interesting “victims.”
One Percent More Humid lacks investment in its tragedy to the point it makes the survivor’s tears for naught.
It’s that time of the year again for a disappointing thriller featuring a whole bunch of Black people of which one is really crazy. Which is what you get in Til Death Do Us Part.
Thanks to some bizarre decisions, #RealityHigh loses the few things likable it had to utter and complete nonsense.
Tulip Fever has the best thing period dramas can have (an excellent score) and the worse (the most boring soap opera kind of story imaginable).
When Love Kills: The Falicia Blakely Story is good if you look at it from the stand point of it being a hood TV movie. However, if you expand your expectations beyond that, you may not have a good time.
A long time ago, I said I would just wait for films to come out locally rather than head to NYC to see them. I so badly wished I did that for The Only Living Boy in New York.
Message From The King is a procedural revenge story where our lead finds one guy, to learn the name of another, and this process repeats until he is ready to exact his bloody revenge.
At its heart, Valerian and the City of a Thousand Planets is a cheesy love story wrapped up in an overly reliant on CGI action film. The kind which really makes it seem Luc Besson isn’t capable of producing another classic.
If you are expecting a touching love story or harrowing tale, prepare to be as disappointed as I was.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.