Whitney Cummings: Can I Touch It? – Summary, Review (with Spoilers)
“Whitney Cummings: Can I Touch It?” has interesting thoughts in it, but you’ll forget most of them once the sex robot is brought out.
“Whitney Cummings: Can I Touch It?” has interesting thoughts in it, but you’ll forget most of them once the sex robot is brought out.
Marina Franklin: Single Black Female is a solid hour of material from a conversational comedian who will definitely push you to check what else she has out there.
Aziz Ansari: Right Now brings us a more mature Aziz, reminiscent of Dave Chappelle’s The Bird Revelation, but still presenting the manic persona many have come to love.
Pares Ratliff: I Hate People is a new comedy special from an interesting new comic, who offers a few chuckles.
Mike Epps: Only One Mike continues Netflix line of comedy tapings which may get a few chuckles out of you, but certainly aren’t specials.
While a bit all over the place, with little in terms of an arching narrative, Devine’s high energy saves Adam DeVine: Best Time of Our Lives.
Once Sykes gets past the obligatory Trump commentary, she finds a really good groove. But does she make this feel like a special?
Live in Front of a Studio Audience: Norman Lear’s “All in the Family” and “The Jeffersons,” brings on the nostalgia and, for the most part, revives the spirit of the source material.
Every legendary artist has that performance which summarizes all they were and the epitome of who and what they are. For Beyoncé it was Beychella.
Kevin Hart: Irresponsible brings about all you expect from the comedian, and for longtime fans that might be a problem.