Polaroid (2019) – Review (with Spoilers)
Despite Polaroid’s original US premiere being cancelled, and its release, stateside, being in limbo ever since, it’s a bit hard to fathom why.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
Despite Polaroid’s original US premiere being cancelled, and its release, stateside, being in limbo ever since, it’s a bit hard to fathom why.
Clive Davis: The Soundtrack of Our Lives hones in so much on the highlights of Davis’ career that it feels like a lifetime achievement award presentation.
I Am Wrath feels like a watered-down Liam Neeson movie that lacks complexity, urgency or gives you any reason to feel attached.
Riot Girls may sometimes feel more like a concept film than a completed vision, but it lays enough of a foundation to be enjoyable.
Tall Girl’s message gets lost due to the pursuit of validating its lead through the affections of a boy.
While The Weekend presents a unique character in Sasheer Zamata’s Zadie, you may struggle to connect with her, or the film as a whole.
The Goldfinch, while definitely longer than it needed to be, is far more enjoyable than some may say.
3 Days With Dad may not be the gut punch you’d expect from a film about a dying father, but it makes for a decent coming of age tale – for a grown man.
K-12 takes the example of what a visual album should be up a notch by producing a musical which makes the visuals and music inseparable.
While IT: Chapter 2 delivers on jump scares, and Bill Hader with one-liners, the adult cast underwhelm when compared to their younger counterparts.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.