Relative (2024) Review – A Frustrating Family Dramedy
You may see yourself in Michael Glover Smith’s “Relative,” but that doesn’t make for an exciting watch.
I’m a filmmaker and writer that can cook a mean plate of pasta and always meet a deadline. When I write, I most likely have a cat on my lap. If I’m not watching movies, I’m writing about movies. If I’m not writing about movies, I’m making them. If you want to see more of my work or have something you think I should see, just reach out!
You may see yourself in Michael Glover Smith’s “Relative,” but that doesn’t make for an exciting watch.
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Guy Ritchie’s “The Gentlemen” is a Netflix series that parodies the elite and the crime worlds they operate.
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You might regret hitching a ride with Ethan Coen’s roadtrip comedy “Drive-Away Dolls.”
“Ashes” is more grey dirt than fire in Netflix’s new Turkish romance/thriller.
“Bleeding Love” takes on a road trip that’s kept engaging by Ewan and Clara McGregor’s performances.
“No Way Up” feels like a fine survival drama trapped in a B-movie shark thriller.
Netflix’s “The Vince Staples Show” plays out like a Saturday morning cartoon for adults.
“Double Blind” is an intriguing experiment for viewers, but it wavers between making you a thrilling participant and passive observer.
Keir O’Donnell’s “Marmalade” is a madcap heist movie with plenty of charm and originality to boot.
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“Calamity Jane” feels like 90 minutes of people doing cosplay.
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The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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