Anne as she rests in a tree.

One Comment

  1. I very much doubt that Nate & Dunlop will stick around for an entire season, or even be a focal point of this one.

    The main point of interest for many fans of both Lucy Montgomery’s novels and the previous TV adaptations was Anne’s evolving relationship with Gilbert Blythe and her enduring friendship with Diana. Though “Anne With An E” is somewhat more grounded and darker than other adaptations, it has not really been such a radical departure from the established template in terms of characterisation and the broad strokes of the plot thus far.

    Basically, I think the makers of this series know which side their bread is buttered upon… Gilbert won’t stay at sea forever and I’m sure the series will get back to their relationship at some point, because there is only so far this show can go in subverting audience expectations and the producers wouldn’t want to risk alienating their core viewership. I predict Anne/Gilbert and Anne/Diana will be getting more screentime than the mining con subplot as Season 2 unfolds.

    The other main point of interest in previous iterations of this story was seeing Anne’s emotional journey – developing a more realistic view of the world over time, honing some critical thinking skills, but retaining her values nonetheless. The purpose of this mining con subplot to Anne’s character arc will likely be to act as a kind of corrective check on her naïveté and help her realise the dangers inherent in blind idealism.

    As for the corrective lecture given to Gilbert in this episode. Perhaps it was a bit “right on” in a meta sense, but it wasn’t completely unbelievable. I think context is everything… Sebastian wasn’t saying these things because he wanted to strike a blow for social justice, but because he saw his livelihood jeopardised by an irresponsible colleague. The tone of his admonition was much milder than many a white person would’ve been under the circumstances, his putting up with Gilbert’s antics for so long combined with the reticent nature of his criticism in itself seems like a realistic acknowledgement of class/race politics of the time. If Sebastian had been white he could’ve afforded to be A LOT more confrontational, that he wasn’t says a lot, if you think about it…. also, Gilbert was being an ass, so I’m glad someone called him out on it.

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