Morgan Cooper, Malcolm Spellman, TJ Brady, and Rasheed Newson
Based On
The Fresh Prince of Bel-Air
First Aired
February 13, 2022
Executive Produced By
TJ Brady, Rasheed Newson, Morgan Cooper, Will Smith, Terence Carter, James Lassiter, Miguel Melendez, Malcolm Spellman, Benny Medina, Quincy Jones, Andy Borowitz, Susan Borowitz, Carla Banks Waddles, Anthony Sparks
In what often is described as the dark version of the 90s hit sitcom, “The Fresh Prince of Bel-Air,” we do, in fact, witness a stripped-down version of the iconic series. Gone is the studio audience, and while there are still comedic moments, the seriousness of the situations Will and his family are in aren’t played down. Whether it is the threat to Will’s life in Philly, Aunt Viv, and Uncle Phil sometimes having marital problems, Carlton dealing with being a Black man trying to acclimate to a predominately White area, and the list goes on.
When it comes to “Bel-Air” we see the life lived when you can’t laugh to keep from crying, but simply have to soldier on.
In some ways, “Bel-Air” takes a step back in season 3 and makes it so season 4 will either launch it forward or confirm signs that the best times might be behind us.
In the third season finale, at best, you can say season three is a transition season for what could happen in season 4. At worst? This could be a sign the show has peaked.
It is Investor’s Day and as to be expected, it doesn’t go smoothly at all. But, not to be outdone, Phil finds himself challenged not only by Omar’s situation but Ashley’s.
As the mystery of who Frederick was talking to gets resolved, Carlton continues to veer towards a slip up and Vivian and Phil’s fights get more intense.
In the last of the three episode premiere, you could submit the investment in who gets good or run of the mill storylines doesn’t change, but there is still reason to remain committed to “Bel-Air.”