Nosferatu (2024): Review and Summary | The Original Vampire Fails To Retake Its Crown
“Nosferatu” doesn’t justify bringing back the dead, even with Robert Eggers’ brand of visuals and eccentric performances to expendable characters.
“Nosferatu” doesn’t justify bringing back the dead, even with Robert Eggers’ brand of visuals and eccentric performances to expendable characters.
“Beetlejuice Beetlejuice” may avoid feeling like a cash grab, but there is no denying it doesn’t present anything notable to justify being made.
“Poor Things” is a bizarre dark comedy featuring a coming-of-age story and the sexual awakening of a woman given a second chance at life.
Spiderman: No Way Home honors the legacy of the previous film iterations and shows Marvel/Disney/Sony have bottomless pockets.
Cooper’s charm, and Blanchett’s mischievous persona, are used to offset an overload of foreshadowing and a second-half which makes you wish this movie wasn’t 2 ½ hours.
“My Hindu Friend” dances around the viewer’s expectations by creating a sexual, emotional, and sometimes utterly weird tale based on Héctor Babenco final year of life.
From a mini-series about Madam C.J. Walker to Tyler Perry and Willem Dafoe’s latest films, this is The Weekend Rundown.
While Natalie Portman presents a stellar performance, Vox Lux as a whole suffers by feeling almost aimless – thanks to its ending.
Aquaman, alongside last year’s Wonder Woman, reminds you that DC was the first to create classic comic book characters and movies.
Sean Baker shows himself as perhaps one of the few noteworthy director/writers who seriously have his own style you cannot quickly and easily compare.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.