Twinless (Tribeca 2025) Film Review & Summary
James Sweeney with Twinless presents himself as one of the best writer-directors who also star in their own films in this generation.
James Sweeney with Twinless presents himself as one of the best writer-directors who also star in their own films in this generation.
The Wolf, The Fox and The Leopard, in focusing how not only animals but how people become domesticated, can be both heartbreaking and invigorating.
In Honeyjoon, a mother and daughter try to figure out how and if they can connect without the man who used to bond them.
Pinch explores the continued struggles women face in being believed when men, often assumed to be the good ones, behave badly.
Bird in Hand presents several opportunities for meaningful conversations, but often sidesteps them—without quite offering enough humor to make up for what’s missing.
Rosemead goes beyond giving Lucy Liu a rarefied role and highlights mental health in the Asian community as rarely seen.
A Second Life, through the gentle performances of Agathe Rousselle and Alex Lawther, may cause the type of tears that don’t come like a gut punch but from feeling allowed and safe to do so.
Cuerpo Celeste challenges viewers immensely as it hooks you in with the sense of community it presents, and then forces you to yearn and mourn what it initially sold you on.
The Travel Companion travels light in regards to giving you something, or someone, you’ll actively want to invest in for an hour and a half.
Lemonade Blessing provides a different kind of coming-of-age film, especially with the inclusion of faith, as it shows the conflict in ways that don’t feel sensationalized.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.