The End of the F***ing World: Season 1/ Episode 3 – Recap/ Review (with Spoilers)
With Alyssa making James feel things, he reaches a crossroad: Continue to explore what it is like to feel emotions again or kill the catalyst?
In this tag, you’ll find all the productions which were available on Netflix’s platform when they originally premiered.
With Alyssa making James feel things, he reaches a crossroad: Continue to explore what it is like to feel emotions again or kill the catalyst?
As Alyssa starts to push James for more intimacy, it seems he is slowly questioning not just how but if he can kill her.
And so Devilman Crybaby ends on a surprising high note. One which, strangely, may make you feel sorry for the last demon Akira faces.
If you had any sort of emotional investment in the characters, you might wanna grab a tissue.
Devilman Crybaby is trying to pull out everything but the kitchen sink to throw at us but, is it too little too late?
As Ryo’s plan gets put into action, the still unnamed demon league scrambles to handle the exposure.
As Devilman Crybaby finally has Silene meet Akira, we are reminded that with Akira’s body changing, he has certain urges.
We finally get to meet Akira’s parents but, unfortunately, the reunion is brief.
The psuedo-saint that is Miki is dragged into Akira’s mess and seemingly, he isn’t the only one which presents a threat to her life.
As we see Akira have a brand new body, that takes getting used to for everybody, we are introduced to the upper echelon of demons.
The End of the F***ing World will be the beginning of a love affair between you and the characters Alyssa and James.
Similar to Castlevania, Devilman Crybaby is brilliantly violent but unlike the former, this has a story which sells you episode 1.
In a way, The Bird Revelation, like Equanimity, isn’t really a comedy special. It is funnier than the latter but is definitely more about exploring ideas than telling jokes.
Dave Chappelle: Equanimity, isn’t so much a comedy special as Dave defending everything he has said and done when it comes to Trump and Trans people.
It seems Satoru didn’t go far enough in his last visit to the past, and he sees the consequences of that.
What Smith has brought to the action genre is mixed with Edgerton’s dramatic chops, making for a film which feels like a blockbuster oddly released online rather than in theaters.
Love, well puppy love, is in the air and it brings about a few tender moments. Yet, it is too soon to expect a happy ending.
You know one of the main things which makes live adaptations of anime hard-hitting? When you are forced to realize a person is going through the trauma than some animated character. Which is what makes the introduction of Kayo hit hard.
Black comes off a little all over the place at first, like a director’s cut of the pilot, but by the end of the premiere, it seems we’re on track.
For those who saw the animated version, I can’t say the first episode makes you want to dive back into the story again.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.