The Curse (2024) – Season Review and Summary
Nathan Fielder and Benny Safdie’s “The Curse” has carved its own path of social discomfort and magical realism unlike anything on television before.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Nathan Fielder and Benny Safdie’s “The Curse” has carved its own path of social discomfort and magical realism unlike anything on television before.
In many ways, “Origins” feels like a one-hour documentary turned 2+ hour drama despite having strong enough thoughts and messages that didn’t need a dramatization.
“One Night Stay” is a thriller that doesn’t know how to end, so it delivers something quick and shoddy.
“Society of the Snow” is a harrowing and horrific depiction of survival.
In “Good Grief,” the universality of loneliness is explored, whether single due to death, a break-up, rejection, or just never getting to be “The One.”
While “The Book of Clarence” may seem potentially controversial because it contains Jesus of Nazareth, outside of some of the conversations it could start, it is tame to the point of being boring.
As migrant workers increasingly disappear, a cop still mourning their partner finds the case to be just the distraction she needs.
While it has a bit of a slow start, once “Bad Lands” gets into the personal drama of its lead with others, it picks up quickly.
In this relatively short drama, two people, trying to immigrate to the United States, find themselves getting interrogated at Newark Airport.
Between the music and performances, the 2023 version of “The Color Purple” does enough to stand out, but it sometimes falters if you compare it to the 1985 movie.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.