The Running Man (2025) – Review and Summary
The Running Man is one of those films where, if you read the book, you’ll be torn between disappointment and fury.
The Running Man is one of those films where, if you read the book, you’ll be torn between disappointment and fury.
“Lights Out: Nat King Cole” sometimes allows Daniel J. Watts, as Cole’s internal strife, to get way too much of the spotlight.
Colman Domingo uses his talents to give us a prison story about how the RTA (Rehabilitation Through The Arts) changed the lives of some incarcerated people.
Between the music and performances, the 2023 version of “The Color Purple” does enough to stand out, but it sometimes falters if you compare it to the 1985 movie.
“Rustin” depicts a civil rights icon in ways not seen since Denzel Washington played Malcolm X.
Zola’s thrill seems a bit lost in translation from a viral Twitter feed to a motion picture.
Ma Rainey’s Black Bottom gives you what you expect from Viola Davis, and in Chadwick Boseman’s final film, he makes it clear he could excel in a role of someone not already an icon.
Nate and Kat get focused on, and Maddy to a point, as we dig deeper into East Highland and its many screwed up residents.
A character guide for HBO’s Euphoria featuring cast members names, character descriptions, and noteworthy information.
If Beale Street Could Talk may not meet expectations, but that’s because it subverts that for what cinema, especially Black cinema, needs.

The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.