Everything Now: Season 1/ Episode 4 – Recap and Review
As sex becomes a topic of conversation Mia would love to avoid, she finds herself confronting everyone about the lies they have told.
As sex becomes a topic of conversation Mia would love to avoid, she finds herself confronting everyone about the lies they have told.
As Mia reaches an epic high, she is reminded what goes up must come down.
In a tragic, long-in-the-tooth, multi-generational love story, two people have a constant case of bad timing, which ruins the love that could be.
Ryûsuke Hamaguchi’s “Evil Does Not Exist” is a quiet film that whispers questions that can linger long after the film ends.
Josh Sharp and Aaron Jackson’s “Dicks: The Musical” is gross, horrid, and very funny. If you ever wanted to see John Waters’ version of The Parent Trap, this movie is for you.
As Mia seeks out what kind of normal she can attain, she gets surprised by two who offer her a chance at a new normal rather than the one she expected or was used to.
In what can be seen as a mini-career and life retrospective, Tony Winner Alex Newell walks their audience through some of their favorites Broadway numbers, including those they made a hit.
In this simple revenge tale, a young lady’s best friend decides she no longer wants to be alive, which sets off a chain of events to kill off the man who blackmailed her.
In a episode mainly focused on how Janelle made people feel a certain type of way, she mostly remains unbothered by their struggles.
“Totally Killer,” as its title implies, is a fun horror movie to watch but ultimately is more content to consume than a new movie to put into your annual Halloween rotation.
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Like many Sci fi dramas, especially those lacking action, “Foe” is dry and even with its twist, passable.
“Everything Now” feels like a precedent setting show about the teen years that might be more honest, relatable, and nuance than what we often see.
“The Royal Hotel” pushes you to asks questions, especially regarding perception, over be entertained.
Miyazaki’s latest is as beautiful, if not more, than his last. However, it is by no means the type of character driven tales he is known for.
“Sex Education” ends on a high note, but without some of the dream scenarios some may have wanted.
In the series’ penultimate episode, O and Maeve have emotional scenes that will get you in your feelings, and Aimee, Isaac, and Aisha take a stand against a college which claims to be progressive.
It’s Erin’s funeral, and Sean decides to make the day harder. But he isn’t alone as Eric comes to multiple realizations, as does Viv.
Kjersti Helen Rasmussen’s “Nightmare” creates a creepy atmosphere, but has a more sleepy than scary execution.
As Maeve struggles with all she left behind in the UK, O and Otis debate, and Eric seems to have renewed his faith in a notable way.
Netflix’s Spanish-language survival movie “Nowhere” is a great showcase for Anna Castillo, but a familiar story that doesn’t live up to its dystopian premise.
“SaW X” brings back John and Amanda and tries to milk them both for every last bit of nostalgia possible while failing to realize the franchise has rightfully moved on from them.
“The Kill Room” gives what is expected from Tarantino alumnus Uma Thurman and Samuel L. Jackson in a forgettable but likable crime comedy.
Part 1 delivers the drama you’ve been waiting for, but as the ending shows, we may have seen nothing yet.
“Here Lies Love” is a funky history lesson with heart to spare, and it signals the potential create future that Broadway has to offer.
Part 2 of “Love & Murder: Atlanta Playboy” focuses on the murder investigation and with Taye Diggs in it less, it means more drama from the caricatures of Lance’s past lovers.
As emotionally stirring as it is beautiful, “The Creator” presents the worst case scenario for humanity’s relationship with robots in such a way that the film has the potential to be seen as a modern classic at best or underrated at worse.
The WGA strike is now over, but what did they get, why is it important, and how does it impact us as viewers?
Maeve’s return leads to Otis dropping everything but, in his absence, Eric and Ruby are given time to reflect. Also, other relationships begin to form.
Akira finally makes it home, but a few new people in Gunma don’t fit in with the down-home, rural vibe.
“Barber” has two competing lead storylines, between its lead character’s personal life and case, that conflict and don’t complement each other well.
As Otis and Ruby rekindle their bond, Eric lives his best life with Abbi’s people, and Mr. Groff shows he is truly trying to be better.
As Otis continues to show he sucks at handling any relationships which is his own, Eric opens the door for us getting to know Abbi better, and Jackson has something new to ask Otis about.
Ramon Felipe Pesante and Jenni Ruiza’s “Playing Sam” is a strong showcase for Ruiza’s talents and a love letter to any struggling artist.
With Rudy and Sylphie confessing their feelings comes the question of how she will handle his ED and whether the first half of the season ends on a high note or one which is bittersweet.
“Sex Education” enters its final season with many familiar faces missing but with a notable slew of new characters to take up their screen time.
It’s graduation day at Katagiri High School, and while there aren’t tear-filled goodbyes, there are moments for viewers that may bring a tear to your eye.
If you’ve seen anything similar to “Vicious Affair,” I can guarantee you this movie’s only difference is who is in the cast.
Excerpt
It’s time for final decisions, and, as usual, we don’t end up with three final couples. However, do we at least end up with one that’s believable?