Everything Now: Season 1/ Episode 1 – Recap and Review
“Everything Now” feels like a precedent setting show about the teen years that might be more honest, relatable, and nuance than what we often see.
“Everything Now” feels like a precedent setting show about the teen years that might be more honest, relatable, and nuance than what we often see.
“The Royal Hotel” pushes you to asks questions, especially regarding perception, over be entertained.
Miyazaki’s latest is as beautiful, if not more, than his last. However, it is by no means the type of character driven tales he is known for.
“Sex Education” ends on a high note, but without some of the dream scenarios some may have wanted.
In the series’ penultimate episode, O and Maeve have emotional scenes that will get you in your feelings, and Aimee, Isaac, and Aisha take a stand against a college which claims to be progressive.
It’s Erin’s funeral, and Sean decides to make the day harder. But he isn’t alone as Eric comes to multiple realizations, as does Viv.
Kjersti Helen Rasmussen’s “Nightmare” creates a creepy atmosphere, but has a more sleepy than scary execution.
As Maeve struggles with all she left behind in the UK, O and Otis debate, and Eric seems to have renewed his faith in a notable way.
Netflix’s Spanish-language survival movie “Nowhere” is a great showcase for Anna Castillo, but a familiar story that doesn’t live up to its dystopian premise.
“SaW X” brings back John and Amanda and tries to milk them both for every last bit of nostalgia possible while failing to realize the franchise has rightfully moved on from them.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.