Landscape with Invisible Hand starts off strong when focused on the humans dealing with an alien invasion. However, once the aliens become a prominent part of the film, it’s hard to maintain interest.
“Ruined” fits the bill of the crazed light skin person whose desires for one half of a married couple lead to them becoming so crazy they are willing to kill.
As Jodie is finally told the truth, he questions what to do with it since he doesn’t wish to make money from it but isn’t necessarily trying to step up to become a prophet – yet.
As word spreads about Jodie and the truck accident, his mom begins to get antsy and thinks it might be time to go on the run again.
Peter Berg’s “Painkiller” is a loud and flashy depiction of the grim opioid addiction in the United States. It can be painful to watch for the worst possible reasons.
“The Chosen One” could very well be a means to hold over fans of shows like “Stranger Things” for while it may not focus heavily on nostalgia, it does give you the kind of group of kids you’ll want to invest in, especially as supernatural things begin to happen.
In “Below Deck Deceit,” a seemingly relaxing yacht vacation unveils a web of deception, old connections surfacing, and the perils of fame.
As long as you are just looking for a Boomer to kill some millennials, you have come to the right place. If you want more than just that, this may feel too barebones.
While “Mad Fate” is bizarre and makes an effort to keep up a high level of energy as you are led to wonder when, or if, its lead may snap and kill again, after a certain point, it becomes a bore.
A mother starting over after a divorce finds herself enamored by a young girl with a heartening story who is homeless. Thus she takes her in and finds a renewed energy in her household.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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