Fistful of Vengeance (2022) – Review/ Summary (with Spoilers)
Even if you didn’t watch Wu Assassin in 2019, you could easily pick up what Fistful of Vengeance wants you to get – a whole lot of stylized fight scenes.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Even if you didn’t watch Wu Assassin in 2019, you could easily pick up what Fistful of Vengeance wants you to get – a whole lot of stylized fight scenes.
Heart Shot feels like a cruel tease of a show or film Netflix should have financed already.
While Help does make you raise an eyebrow about what’s going on, I wouldn’t say the ending gives you the payoff you desire.
Student Body is bloody, vulgar, and ridiculous. But whether or not it is in the best way? That’s hard to say.
Until We Meet Again is a little bit all over the place. Mainly due to how it plays with the different genres it pursues.
I Want You Back may not present top-tier comedy or romance, but its exploration of the value placed on relationships is where it shines.
Moonfall is a popcorn film full of dumb fun – the moon falls (and that’s not even the craziest part), things get spectacularly destroyed, and the US tries to nuke the moon (of course they do).
Kimi is a meek thriller that doesn’t fully tap into the role of listening devices or the people who troubleshoot the AI behind them.
Single Black Female delivers on the story, performances and madness you expect.
While Through My Window has your usual toxic, brooding, and handsome male lead, there is just enough given to the viewer to get past the trope.
Like a horror movie, Jackass Forever allows you a safe, vicarious experience that makes you wince, gag a little, but be so glad it’s not you in the scenario.
At a wake for a mutual friend, the most estranged of the four seeks out the dead friend’s now ex.
An older lesbian, who was at the forefront of the activism for LGBT+ equality, finds herself getting to see the fruits of her labor through the youth.
An older man, who has somehow seduced a high schooler, takes advantage of cultural and religious customs and values to coerce a meeting.
In this unfolding mystery, you may find yourself underestimating what will happen – thus leading to your mouth gaping by the end.
A father and daughter bond while moving her out of a rather swanky apartment.
On the way to their dream, a rapper named Sammy finds their day job threatened thanks to someone with a fatty.
After practice, the girls’ basketball team gets together to play video games and talk, leading to a reveal that calls for revenge.
In this light horror short, a granddaughter finds herself facing her grandmother whose dying day was missed only by her.
The Right Words will have you twisting in your seat and glad you don’t speak French so you can block out everything but the subtitles to see how everything goes down.
In this emotional short, two men, unprepared to raise kids, contemplate if they will take on their niece and nephew’s rearing.
Is it a con, or are they legit? That is what is explored in Breathe as a father/daughter duo attempt to do an exorcism.
The comedic stylings of Shark will make you clamor for a full-length film featuring the prank-loving couple of Jack and Sofie.
Swallow The Universe is pure “What The F***” as it tells the story about a young person fighting off gods and animals who want their face.
In a way, Meal On The Plate seems to poke fun at those who have an aversion to vegetables and makes for a precautionary tale you could show children (of a certain age).
Leonor Reyes is a retired action film director who finds herself inside the dangerous world of her new screenplay.
Adapted from a Haruki Murakami short story, “Drive My Car” masterfully weaves together storylines in a film about loss and learning to live with grief and guilt.
Prep for a series of chuckled thanks to Bump.
In this awkward comedy, a socially inept woman decides to call on an escort to help her understand what
In the aftermath of a school shooting, we see varying ways those affected deal with it as they try to create a new normal.
In this tearjerker, a son talks to his mom about the love of her life, his father.
In this gross-out horror, our lead’s insecurities grow into an appendage hell-bent on destroying its host.
I Didn’t See You There, in making the world the subject, not the potential person of interest, puts a lens on those who don’t realize their impact on another person’s life.
In this coming-of-age tale, which takes place over three weeks, we watch 3 girls explore what it means to be loved or in love, to varying degrees of success.
Aubrey Plaza reminds of her versatility as she takes on a woman desperate to make money and avoid being exploited.
What starts off as a comical mockumentary about a megachurch trying to make a comeback becomes a film that struggles to shift to a serious tone as it addresses what led to the downfall.
In depicting the awkwardness of coming out and exploring in your 30s, in this generation, Am I Ok? brings you a coming-out story far different than what we’re usually given.
In this cautionary tale, we watch as a grown-ass man seduces a young girl who still has -teen in her age.
One nationally seen moment threatens to derail a family, but between an opportunistic brother and eccentric babysitter, maybe there is hope?
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.