Dragonkeeper (2024) – Review
“Dragonkeeper” focuses on a young girl who is tasked with rescuing a baby dragon, and discovering her true fate, not the assumed one of being a servant.
Mixed (Divisive)
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
Sinister Surgeon (2024) – Written Review
Starring Samantha Neyland Trumbo, we watch as a highly educated surgical resident joins a practice marred by a burgeoning scandal of recent patients being murdered.
Killer Beat (2024) – Written Review
Starring “Primo” actress Stakiah Lynn Washington, we watch as she plays an up-and-coming rapper who tries to navigate a cutthroat music industry.
MaXXXine (2024) – Written Review
Mia Goth returns as Maxine Minx, and with Pearl in her rear-view, so comes the question if Goth can find a way to justify the latest entry of this franchise as she did in “Pearl?”
Little Deaths (2024) – Written Review
In “Little Deaths,” we watch the ebb and flow of a relationship plagued by a disease that doesn’t cause a lockdown but certainly puts immense stress on a delicate relationship.
A Sacrifice (2024)
Sadie Sink is seduced into joining a cult despite her father, played by Eric Bana, making a career about community and loneliness.
Latency (2024)
A young woman with notoriety as a game tester and professional gamer is gifted a new headset that syncs with her brain and brings painful memories to life.
I Used to Be Funny (2024)
In “I Used To Be Funny,” Rachel Sennott veers towards a more dramatic role, which may struggle at times to hold your attention.
The Sintern (2024)
A young woman investigates a church whose pastor may have killed her mom.
Swimming Home (2024)
Starring MacKenzie Davis and Christopher Abbott, between them we watch a increasingly estranged couple, potentially towards the end of their relationship, try to enjoy a vacation featuring a young woman enamored by Abbott’s character.
#AMFAD: All My Friends Are Dead (2024)
Friends with secrets and drama between them begin to get killed off right before an infamous music festival.
Don’t You Let Me Go (2024) – Written Review
After her best friend’s wake, a woman travels back to a weekend they shared to relive experiencing her friend one last time.
Incision (2024) Movie Review
“Incision” seems to forget to give you reasons to get invested, beyond familiar faces and the assumed empathy for people being victimized.
Love Kills (2024) Movie Review
“Love Kills” loses its luster as you figure out it is using sex and violence to compensate for a lackluster story.
The Young Wife (2024) Movie Review
At times feeling like a visual album, “The Young Wife” delivers both the anxiety and sense of overstimulation that can come when two worlds collide via marriage – especially when there are unresolved issues.
Close To You (2024) – Movie Review
Starring Elliot Page, known for “The Umbrella Academy”, in this NewFest Pride release, Page plays a transman returning home for the first time in 4 years since transitioning and dealing with their friends and family awkwardly trying to reintegrate back into his life.
RSVP (2024) Movie Review
Starring Natasha Marc and Robert Ri’Chard, in this BET+ release, a man decides to get revenge for his fallen wife, and you’re sadly left taking his word due to a lack of character development.
Relative (2024) Review – A Frustrating Family Dramedy
You may see yourself in Michael Glover Smith’s “Relative,” but that doesn’t make for an exciting watch.
Darkness of Man (2024) Review – A Solid Action Flick
“Darkness of Man” shows Jean-Claude Van Damme can still take a punch and provide emotional gravitas.
Faceless After Dark (2024) Review – A Satiric Horror
“Faceless After Dark” has a lot to say and a lot to stab.
