Once Upon A One More Time (2023) – Musical Review
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
While you may enjoy the experience, there are certain elements you may not feel were worth the price of admission.
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
What sometimes can feel like watching your fun aunt hold court at a family reunion devolves into a play that overstays it’s welcome.
“Conversations After Sex” may do itself a disservice by not naming its character or having different men play the lead’s lover, but it still delivers in many ways.
Raunchy in a way that will surely not make her for everybody, Nicole Byer defiantly shows a different brand of being a dirty comic.
Michelle Wolf stops in New Jersey to work on new material and use the material that would have popped more in 2020.
Tina — The Tina Turner Musical has all the moves to honor the legend but lacks the soul to do justice to her singing and story.
The Cher Show strangely is more noteworthy for its jokes, dancing, and costumes, than the singing or story.
You know how people go see Beyoncé shows and say they feel cleansed? For a much cheaper price, Chloe x Halle did that for those at their Bowery show in NYC.
Azealia Banks’ “The Rainbow Ball” brings many a quality performance, but not an experience you’d want to repeat or recommend to friends and family.
The Fruit Trilogy is certainly an experience and I use that as both a positive adjective and as a bit if a euphemism.