Don’t Kill Me (2022) – Review/ Summary (with Spoilers)
Don’t Kill Me is sparse on details to the point of wondering if something was lost in translation.
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Don’t Kill Me is sparse on details to the point of wondering if something was lost in translation.
If you love bloody, disgusting, gory, just straight-up violent horror movies? Netflix’s The Texas Chainsaw Massacre has you covered.
Even if you didn’t watch Wu Assassin in 2019, you could easily pick up what Fistful of Vengeance wants you to get – a whole lot of stylized fight scenes.
Heart Shot feels like a cruel tease of a show or film Netflix should have financed already.
While Help does make you raise an eyebrow about what’s going on, I wouldn’t say the ending gives you the payoff you desire.
Student Body is bloody, vulgar, and ridiculous. But whether or not it is in the best way? That’s hard to say.
Until We Meet Again is a little bit all over the place. Mainly due to how it plays with the different genres it pursues.
I Want You Back may not present top-tier comedy or romance, but its exploration of the value placed on relationships is where it shines.
Moonfall is a popcorn film full of dumb fun – the moon falls (and that’s not even the craziest part), things get spectacularly destroyed, and the US tries to nuke the moon (of course they do).
Kimi is a meek thriller that doesn’t fully tap into the role of listening devices or the people who troubleshoot the AI behind them.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.