Wine Country (2019) – Summary, Review (with Spoilers)
Amy Poehler takes a page out of Adam Sandler’s book and has a vacation with her SNL friends, paid for by someone else and made just for her audience.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
Amy Poehler takes a page out of Adam Sandler’s book and has a vacation with her SNL friends, paid for by someone else and made just for her audience.
While comical at times, Rebel Wilson’s style and Anne Hathaway’s, when it comes to comedy, more so clashes than compliments one another.
Extremely Wicked, Shockingly Evil, and Vile maybe words to describe Ted Bundy, but what you mostly get is his charming side – until the end.
Clementine, with its score and sometimes eerie characters strings you along to what might be an unsatisfying finish.
In a strange twist, Rogen ups his game to what you’d expect from Theron, and while he maintains his comedic style, he also veers towards being a more serious actor.
While The Intruder doesn’t seem like your yearly dose of generic Black thriller, that doesn’t mean it is necessarily good.
Lost Transmissions shows the line between proving yourself as a storyteller doesn’t always coincide with delivering the intended message.
Thriller works better as a comedy than anything remotely close to a horror, and as long as you come in knowing that you should be fine.
While you can see each actor giving it their all, there is a bit of a disconnect which may not allow you to get as emotional as they get.
Led by Giancarlo Esposito, the emotional, sometimes comical, Stuck shows what happens when people are forced to interact in a small space.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.