Amari is the founder and head writer of Wherever-I-Look.com and has been reviewing media since 2010. He approaches each production with hope, rooting for every story to succeed, and believes criticism should come from unmet potential, while praise is reserved for work that meets or exceeds expectations.
With “Woke-ish” available on Netflix, and Marlon Wayans’ self-titled show due within the next two months, he has gone on a publicity tour. Here are some highlights.
Though you have experienced one of the moments in the “Farewell” episode before, it is a whole other thing getting to play a part in it.
As we learn there is yet another level to those similar to Koku and Minatsuki, Keith is pushed to talk more about his sister Erika.
We may have reached a point where B – The Beginning can redeem itself as it dives just a bit deeper into the last time Yuna and Koku saw each other.
What maybe perhaps one of the most boring movies I’ve ever seen.
While her career may seem a little shaky, seemingly the rest of her life is hanging on by a thread.
As Juri does something drastic, we discover someone else in her family has a power which may shift who has the upper hand.
Kuzu finally meets the girl he has long been waiting for, and we get a background on the Market Makers.
While Kamui goes mad and we learn there is a mole in the RIS, Koku and Keith finally come face to face.
As Lily drowns us in the type of theory which requires you really being into the show to get, Keith deals with Boris deciding he needs to be more social.
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